[{"data":1,"prerenderedAt":1409},["ShallowReactive",2],{"header-projects":3,"content-/projects/challenge_my_game":1326,"all-projects":1338},[4,67,110,191,215,246,273,312,346,383,416,459,477,503,526,547,592,619,673,709,761,791,819,851,894,935,975,1017,1068,1112,1142,1167,1213,1254,1287],{"_path":5,"_dir":6,"_draft":7,"_partial":7,"_locale":8,"_empty":9,"title":10,"description":11,"author":12,"img":13,"carousel":14,"year":16,"links":17,"tags":20,"location":22,"descriptions":23,"credits":27,"soundcloud":55,"body":56,"_type":62,"_id":63,"_source":64,"_file":65,"_extension":66},"/projects/7even","projects",false,"",true,"7EVEN","7 créations, 7 artistes, 7 danseurs du Ballet National de Marseille. Danse contemporaine, Shonen.","Eric Minh Cuong Castaing","alexbouvier/7even/main",[15],"alexbouvier/7even/qw8jonavyec13wclsljv",2017,[18,19],"https://www.festivaldemarseille.com/en/7even","https://www.frequence-sud.fr/art-49407-7even_au_ballet_national_de_marseille_marseille",[21],"dance","Ballet National De Marseille - Marseille",{"en":24,"fr":25,"zh":26},"7EVEN consists of 7 creations, each approximately 7 minutes long, composed by 7 artists, featuring 7 dancers from the Ballet National de Marseille and ICK, in reference to the 7 Necessities, the artistic manifesto of Emio Greco and Pieter C. Scholten, in collaboration with the Festival de Marseille.\n\nAn intense creation centered around the body, this innovative project showcases choreographers from the new generation of the international contemporary scene! Coming from diverse cultural and disciplinary backgrounds, Amos Ben-Tal, Ayelen Parolin, Ula Sickle, Nacera Belaza, Faustin Linyekula, Eric Minh Cuong Castaing, and Joeri Dubbe will interpret this manifesto through their own language to express their \"necessities.\"\n\nThese artistic proposals, gathered in 7EVEN, will complement, provoke, reject, or transcend the 7 Necessities, revealing their intimate essence in a ballet-manifesto!","7EVEN, ce sont 7 créations, d’une durée approximative de 7 minutes chacune, composées par 7 artistes, avec 7 danseurs issus du Ballet National de Marseille et d’ICK, en regard des 7 Nécessités, le manifeste artistique d’Emio Greco et Pieter C. Scholten, en collaboration avec le Festival de Marseille.\n\nUne création intense autour du corps, un projet innovant présentant des chorégraphes de la nouvelle génération, issus de la scène internationale contemporaine ! D’horizons culturels et disciplinaires multiples, Amos Ben-Tal, Ayelen Parolin, Ula Sickle, Nacera Belaza, Faustin Linyekula, Eric Minh Cuong Castaing et Joeri Dubbe déclineront ce manifeste autour du corps dans leur propre langage afin d’exprimer leurs « nécessités ».\n\nAutant de propositions artistiques réunies dans 7EVEN qui viendront compléter, provoquer, refuser ou dépasser les 7 Nécessités et dévoiler leur essence intime dans un ballet-manifeste !","《7EVEN》由 7 個創作組成，每段約 7 分鐘，由 7 位藝術家編創，攜手馬賽國家芭蕾舞團與 ICK 的 7 位舞者，呼應 Emio Greco 和 Pieter C. Scholten 的藝術宣言「七大必要」，與馬賽藝術節合作呈現。\n\n一場圍繞身體的強烈創作，一個創新的計畫，展現國際當代舞壇新生代編舞家！來自多元文化與學科背景的 Amos Ben-Tal、Ayelen Parolin、Ula Sickle、Nacera Belaza、Faustin Linyekula、Eric Minh Cuong Castaing 和 Joeri Dubbe，將以各自的語言詮釋這份關於身體的宣言，表達他們的「必要」。\n\n匯聚於《7EVEN》中的這些藝術提案，將補充、挑釁、拒絕或超越「七大必要」，在一場芭蕾宣言中揭露其最私密的本質！",[28,31,34,37,40,43,46,49,52],{"role":29,"name":30},"concept","Emio Greco I Pieter C. Scholten",{"role":32,"name":33},"choreographer","Ula Sickle, Faustin Linyekula, Eric Minh Cuong Castaing, Nacera Belaza, Ayelen Parolin, Joeri Dubbe, Amos Ben-Tal",{"role":35,"name":36},"performers","Andres Garcia Martinez, Kengo Nanjo, Yoshiko Kinoshita, Maria Ribas, Malgorzata Czajowska (BNM), Arad Inbar, Kim Amankwaa, Tycho Hupperets (ICK)",{"role":38,"name":39},"dramaturgy","Jesse Vanhoeck",{"role":41,"name":42},"light_designer","Clifford Portier",{"role":44,"name":45},"composer","Alexandre Bouvier",{"role":47,"name":48},"technical_team","Frédéric Granger, Rémi D'Apolito, Philippe Grosperrin, Astrid Jatosti, Yann Pardon, Milan Petrucci (BNM), Hugo Van der Veldt, Maarten Heijdra (ICK)",{"role":50,"name":51},"production","Ballet National de Marseille - ICK",{"role":53,"name":54},"co_production","Festival de Marseille","https://api.soundcloud.com/tracks/1323487522?secret_token=s-f0V9H88832h",{"type":57,"children":58,"toc":59},"root",[],{"title":8,"searchDepth":60,"depth":60,"links":61},2,[],"markdown","content:projects:7even.md","content","projects/7even.md","md",{"_path":68,"_dir":6,"_draft":7,"_partial":7,"_locale":8,"_empty":9,"title":69,"description":70,"author":71,"img":72,"carousel":73,"year":76,"tags":77,"descriptions":78,"credits":82,"body":104,"_type":62,"_id":108,"_source":64,"_file":109,"_extension":66},"/projects/a_vue","A VUE","Création chorégraphique plastique et sensorielle par Gaëtan Brun-Picard. Danse, scénographie et lumière.","Gaëtan Brun Picard","alexbouvier/a_vue/main",[74,75],"alexbouvier/a_vue/juigugoswyxehgnsfhif","alexbouvier/a_vue/f4zopmrki66vrf25qabi",2012,[21],{"en":79,"fr":80,"zh":81},"A VUE is a choreographic creation that aims to be both visual and sensory. Developed by Gaëtan Brun-Picard, the idea is to achieve a piece where the scenographic work, music, lighting, and dance each play an equal part in the production. This artistic project offers the audience an immersion into the heart of human relationships, exploring what is woven and unraveled between and within each of us. It is a quest centered around the sensitive, around what sometimes cannot be spoken, but must be felt and experienced.","A VUE est une création chorégraphique qui se veut plastique et sensorielle. Projet mis en place par Gaëtan Brun-Picard, l'idée est d'aboutir à une pièce où le travail scénographique, la musique, la lumière et la danse occupent une part égale de la réalisation. Cet objet artistique propose au public une immersion au cœur des rapports humains, de ce qui se tisse et se délie entre chacun de nous et en nous. Une recherche autour du sensible, autour de ce qui ne peut parfois se dire, de ce qui se doit d'être senti et ressenti.","《A VUE》是一部致力於造型美感與感官體驗的編舞創作。由 Gaëtan Brun-Picard 發起的計畫，構想是完成一部舞台設計、音樂、燈光和舞蹈各佔等量份額的作品。這件藝術品邀請觀眾沈浸在人際關係的核心——在我們彼此之間以及我們內心所編織與解開的一切。一場圍繞感性的探索，關於那些有時無法言說的、必須被感受和體會的事物。",[83,85,87,88,90,93,95,98,101],{"role":32,"name":84},"Gaëtan Brun-Picard",{"role":35,"name":86},"Juliette Nicolotto, Vincent Simon, Veronique Laugier ou Johanna Levy",{"role":44,"name":45},{"role":41,"name":89},"Grégory Bordin",{"role":91,"name":92},"scenography","Blandine Vieillot / Camille Lacroix",{"role":94,"name":12},"regard_plastique",{"role":96,"name":97},"outside_eye","Nathalie Pernette",{"role":99,"name":100},"artistic_literary_collaboration","Céleste Germe/ Mateï Gheorghui",{"role":102,"name":103},"graphisme","Karouna Chanyudhakorn",{"type":57,"children":105,"toc":106},[],{"title":8,"searchDepth":60,"depth":60,"links":107},[],"content:projects:a_vue.md","projects/a_vue.md",{"_path":111,"_dir":6,"_draft":7,"_partial":7,"_locale":8,"_empty":9,"title":112,"description":113,"author":114,"img":115,"carousel":116,"year":16,"links":119,"tags":121,"descriptions":122,"credits":126,"videos":180,"soundcloud":184,"body":185,"_type":62,"_id":189,"_source":64,"_file":190,"_extension":66},"/projects/augusto","Augusto","Spectacle sur le besoin d'amour inconditionnel et la douleur. Chorégraphie Alessandro Sciarroni.","Alessandro Sciarroni","alexbouvier/augusto/main",[117,118],"alexbouvier/augusto/amqbvjoi3zghjao6du7j","alexbouvier/augusto/dumxv2yvyygforetcfoo",[120],"https://www.alessandrosciarroni.it/work/augusto/?lang=en",[21],{"en":123,"fr":124,"zh":125},"AUGUSTO is a show about the need to feel loved, unconditionally, and about pain. The physical and vocal practice through which the interpreters are allowed to express themselves is exclusively made of laughter to the bitter end. In this way, the performers of the piece laugh to represent joy, euphoria, emotion, as well as suffering, anger and fear. The cast consists of eleven interpreters. This is a new ad-hoc working group composed of actors, dancers and singers. During each show nine of them are on stage.\n\nThe title of the show is a tribute to the figure of the Auguste: the clown, the fool, the idiot who always makes trouble and pisses himself, always drunk, with a red nose, and who laughs at everything. But “august” also means imperial, royal, distinguished, and is the name of the first Roman emperor.\n\nHere they are then, the interpreters of AUGUSTO, while laughing continuously, without giving to the audience and to themselves the opportunity to understand the reason. Here they are, as they walk, run, they reach and embrace each other laughing. Here they are again, while they play and laugh as teenagers. While they are obliged by a mysterious force to organize their laughter rhythmically and loudly.\n\nOne also laughs at violence in AUGUSTO. Like the circus: when the clown stumbles, makes disasters and as a punishment receives a fake slap from his colleague. One laughs as the children laugh in AUGUSTO, until they realize that they are seriously hurt.","AUGUSTO est un spectacle sur le besoin de se sentir aimé, inconditionnellement, et sur la douleur. La pratique physique et vocale à travers laquelle les interprètes s'expriment est exclusivement faite de rires jusqu'à l'épuisement. Ainsi, les interprètes de la pièce rient pour représenter la joie, l'euphorie, l'émotion, ainsi que la souffrance, la colère et la peur. Le casting se compose de onze interprètes. Il s'agit d'un nouveau groupe de travail ad hoc composé d'acteurs, de danseurs et de chanteurs. Lors de chaque représentation, neuf d'entre eux sont sur scène.\n\nLe titre du spectacle rend hommage à la figure de l'Auguste : le clown, le fou, l'idiot qui fait toujours des bêtises et se pisse dessus, toujours ivre, avec un nez rouge, et qui rit de tout. Mais \"auguste\" signifie aussi impérial, royal, distingué, et est le nom du premier empereur romain.\n\nVoici donc les interprètes d'AUGUSTO, riant continuellement, sans donner au public et à eux-mêmes l'occasion de comprendre la raison. Les voici, marchant, courant, se rejoignant et s'embrassant en riant. Les revoilà, jouant et riant comme des adolescents. Tandis qu'ils sont obligés par une force mystérieuse d'organiser leur rire de manière rythmée et bruyante.\n\nDans AUGUSTO, on rit aussi de la violence. Comme au cirque : quand le clown trébuche, fait des catastrophes et reçoit en punition une fausse gifle de son collègue. On rit comme les enfants rient dans AUGUSTO, jusqu'à ce qu'ils réalisent qu'ils sont gravement blessés.","AUGUSTO 是一齣關於渴望被無條件地愛，以及關於痛苦的演出。表演者們藉以表達自我的身體與聲音實踐，完全由笑聲構成，直至筋疲力盡。因此，這齣作品的表演者們透過笑來呈現喜悅、亢奮、感動，同時也呈現痛苦、憤怒與恐懼。演出陣容由十一位表演者組成，這是一個由演員、舞者和歌手組成的全新工作團隊。每場演出中，九人登台表演。\n\n作品標題致敬了「奧古斯特」這個角色形象：小丑、傻瓜、那個總是闖禍、尿褲子、永遠醉醺醺、頂著紅鼻子、對一切都笑的白癡。但「奧古斯特」同時也意味著帝王般的、皇家的、尊貴的，也是第一位羅馬皇帝的名字。\n\n他們就在這裡，AUGUSTO 的表演者們，持續不斷地笑著，不給觀眾也不給自己理解原因的機會。他們走著、跑著、相遇又擁抱，笑著。他們像青少年一樣嬉鬧大笑。一股神秘的力量迫使他們有節奏地、大聲地組織起笑聲。\n\n在 AUGUSTO 中，人們也嘲笑暴力。就像在馬戲團裡：當小丑絆倒、闖了禍，作為懲罰被同伴假裝搧了一巴掌。人們像孩子般地笑著，直到他們意識到自己已經受了重傷。",[127,129,132,134,137,140,143,146,149,152,155,158,161,164,167,170,173,176,178],{"role":128,"name":114},"invention",{"role":130,"name":131},"cast","Massimiliano Balduzzi, Gianmaria Borzillo, Marta Ciappina, Jordan Deschamps, Pere Jou, Benjamin Kahn, Leon Maric, Francesco Marilungo, Cian McConn, Roberta Racis, Matteo Ramponi",{"role":44,"name":133},"Yes Soeur!",{"role":135,"name":136},"lighting_design","Sébastien Lefèvre",{"role":138,"name":139},"movement_coaching_dramaturgical_collaboration","Elena Giannotti",{"role":141,"name":142},"outfit","Ettore Lombardi",{"role":144,"name":145},"dramaturgical_consultancies","Chiara Bersani, Peggy Olislaegers, Sergio Lo Gatto",{"role":147,"name":148},"laughter_yoga_coaching","Monica Gentile",{"role":150,"name":151},"artistic_collaboration","Erna Ómarsdóttir, Valdimar Jóhannsson",{"role":153,"name":154},"vocal_coaching","Sandra Soncini",{"role":156,"name":157},"technical_director","Valeria Foti",{"role":159,"name":160},"tour_technician","Cosimo Maggini",{"role":162,"name":163},"assistance_research","Damien Modolo",{"role":165,"name":166},"curator_promotion_consulting","Lisa Gilardino",{"role":168,"name":169},"administration_executive_production","Chiara Fava",{"role":171,"name":172},"press_office","Beatrice Giongo",{"role":174,"name":175},"video_photo","Alice Brazzit",{"role":50,"name":177},"MARCHE TEATRO Teatro di Rilevante Interesse Culturale, corpoceleste_C.C.00#, European Creative Hub – French Minister of Culture/Maison de la Danse grant for Biennale de la danse de Lyon 2018, Festival GREC Barcelona, Théâtre de Liège, Teatro Municipal do Porto, CENTQUATRE-PARIS, apap – Performing Europe 2020, a project co-founded by the Creative Europe Programme of the European Union, Snaporazverein, Theaterfestival Boulevard, Theater Freiburg (Germany), La Biennale di Venezia",{"role":53,"name":179},"Tanzfabrik Berlin, Centrale Fies, L’arboreto – Teatro Dimora di Mondaino. Alessandro Sciarroni is associated artist at CENTQUATRE-PARIS and is supported as focus-artist by apap – Performing Europe 2020",[181],{"id":182,"platform":183},"M4eyVY3I2f8","youtube","https://api.soundcloud.com/tracks/1321053754?secret_token=s-xZR3jXFBTwh",{"type":57,"children":186,"toc":187},[],{"title":8,"searchDepth":60,"depth":60,"links":188},[],"content:projects:augusto.md","projects/augusto.md",{"_path":192,"_dir":6,"_draft":7,"_partial":7,"_locale":8,"_empty":9,"title":193,"description":194,"author":193,"img":195,"year":196,"tags":197,"links":199,"descriptions":201,"videos":205,"body":209,"_type":62,"_id":213,"_source":64,"_file":214,"_extension":66},"/projects/bigsun","BigSun","Installation immersive mêlant cinéma et technologies numériques. Spontanéité du cadrage, liberté totale.","alexbouvier/bigsun/main",2019,[198],"installation",[200],"https://bizaroid.tv/bigsun/",{"en":202,"fr":203,"zh":204},"Incorporating the latest digital advancements, BigSun offers unprecedented spontaneity in framing and complete freedom in tracking the action. The director, the cinematographer, the actors, the set, and the lighting all interact naturally, expanding the range of possibilities. Connected to the camera's positional data and equipped with a powerful real-time 3D rendering engine, BigSun represents an innovative alternative to projection principles, rendering green screens obsolete and revitalizing creative freedom on set for an ultra-realistic finish.","Concentré des dernières avancées numériques, BigSun offre une spontanéité inédite dans le cadrage et une liberté totale dans le suivi de l’action. Le réalisateur, le chef opérateur, mais aussi les acteurs, le décor, la lumière, tous les éléments interagissent de façon naturelle, ouvrant le champ des possibles. Relié aux informations de positions de la caméra et doté d’un puissant moteur de rendu 3D en temps réel, BigSun représente une alternative novatrice au principe de projection, relègue le fond vert au passé et réanime la liberté de créer, sur le plateau, pour un fini ultra-réaliste.","匯集最新數位科技，BigSun 提供前所未有的取景自發性與完全自由的動態追蹤。導演、攝影指導、演員、布景與燈光——所有元素自然互動，開拓了無限可能。連結攝影機的位置數據並配備強大的即時 3D 渲染引擎，BigSun 代表了一種創新的投影替代方案，讓綠幕成為過去式，重新激活片場的創作自由，實現超擬真的最終效果。",[206],{"id":207,"platform":208},466473687,"vimeo",{"type":57,"children":210,"toc":211},[],{"title":8,"searchDepth":60,"depth":60,"links":212},[],"content:projects:bigsun.md","projects/bigsun.md",{"_path":216,"_dir":6,"_draft":7,"_partial":7,"_locale":8,"_empty":9,"title":217,"description":218,"author":219,"img":220,"carousel":221,"year":16,"tags":228,"descriptions":230,"links":234,"videos":236,"soundcloud":239,"body":240,"_type":62,"_id":244,"_source":64,"_file":245,"_extension":66},"/projects/challenge_my_game","Challenge My Game","Installation interactive pour Adidas, terrain de sport augmenté par Visual System.","Visual System","alexbouvier/challenge_my_game/main",[222,223,224,225,226,227],"alexbouvier/challenge_my_game/w20m4hwme4lh4vbp3c3p","alexbouvier/challenge_my_game/gf3p1fs48mldcgpjy3am","alexbouvier/challenge_my_game/bn2psocoghw9gqdbxtmd","alexbouvier/challenge_my_game/rnuspijjbz42b1mt2bou","alexbouvier/challenge_my_game/yohvcxqw4gnrlsaznk3k","alexbouvier/challenge_my_game/dgcdtmzbn4zve160jr8x",[229],"event",{"en":231,"fr":232,"zh":233},"Interactive installation created for Adidas by Visual System. An augmented sports court where sound and visuals react in real time to the players' movements, transforming a football pitch into an immersive audiovisual experience.","Installation interactive créée pour Adidas par Visual System. Un terrain de sport augmenté où le son et les visuels réagissent en temps réel aux mouvements des joueurs, transformant un terrain de football en une expérience audiovisuelle immersive.","由 Visual System 為 Adidas 打造的互動裝置。一個擴增運動場地，聲音與視覺即時回應球員的動作，將足球場轉化為一場沈浸式的視聽體驗。",[235],"https://www.weareyoung-agency.com/projects/adidas-challenge-my-game/",[237],{"id":238,"platform":208},218183360,"https://api.soundcloud.com/tracks/1323720433?secret_token=s-gCc4JFpX20s",{"type":57,"children":241,"toc":242},[],{"title":8,"searchDepth":60,"depth":60,"links":243},[],"content:projects:challenge_my_game.md","projects/challenge_my_game.md",{"_path":247,"_dir":6,"_draft":7,"_partial":7,"_locale":8,"_empty":9,"title":248,"description":249,"author":219,"img":250,"carousel":251,"links":254,"tags":257,"year":258,"location":259,"descriptions":260,"videos":264,"body":267,"_type":62,"_id":271,"_source":64,"_file":272,"_extension":66},"/projects/circum","Circum","Performance visuelle et sonore au Centre Pompidou lors de la FIAC avec Laurent Garnier et Pedro Winter.","alexbouvier/circum/main",[252,253],"alexbouvier/circum/xdfkcenrtt47wakhdbba","alexbouvier/circum/cxmrljpemtsz9ckdhtzz",[255,256],"https://visualsystem.org/project/circum","https://www.vogue.fr/culture/a-ecouter/articles/le-centre-pompidou-va-se-transformer-en-club-ephemere-fiac-2018-art/69602",[198],2018,"Centre Pompidou (Paris)",{"en":261,"fr":262,"zh":263},"Visual System had the pleasure of presenting a visual and sonic performance at the Centre Pompidou during the FIAC. Laurent Garnier and Pedro Winter performed in this giant DJ booth. The content was both pre-programmed and reactive in real time to the music.","Visual System a eu le plaisir de présenter une performance visuelle et sonore au célèbre Centre Pompidou lors de la FIAC. Laurent Garnier et Pedro Winter se sont produits dans ce gigantesque stand de DJ. Les contenus étaient à la fois préprogrammés et réagissaient en temps réel avec la musique.","Visual System 有幸在 FIAC 國際當代藝術博覽會期間，於龐畢度中心呈現一場視覺與聲音的演出。Laurent Garnier 和 Pedro Winter 在這座巨型 DJ 台上進行演出。內容兼具預設程序編排與即時音樂互動。",[265],{"id":266,"platform":208},296566807,{"type":57,"children":268,"toc":269},[],{"title":8,"searchDepth":60,"depth":60,"links":270},[],"content:projects:circum.md","projects/circum.md",{"_path":274,"_dir":6,"_draft":7,"_partial":7,"_locale":8,"_empty":9,"title":275,"description":276,"author":277,"img":278,"carousel":279,"location":282,"year":16,"tags":283,"descriptions":284,"credits":288,"videos":303,"body":306,"_type":62,"_id":310,"_source":64,"_file":311,"_extension":66},"/projects/cliffdancers","Cliffdancers","Création chorégraphique internationale mêlant danse, télévision et multimédia. Suspense et langage du corps.","Dani Brown, Gaëtan Brun-Picard","alexbouvier/cliffdancers/main",[280,281],"alexbouvier/cliffdancers/mn6poau4lnuy4t2c0g06","alexbouvier/cliffdancers/op5o8vebdvtxek7nupvt","Tanzhaus NRW Düsselfdorf",[21],{"en":285,"zh":286,"fr":287},"An international team of choreographers and dancers dives into the world of television and multimedia, seeking the most gripping \"cliffhanger\" moments within the language of dance.\n\nThey collaborate with academics, television screenwriters, and visual artists to create a dance piece that reads like a suspenseful TV show. Like a TV series, the performance is composed of several \"episodes\" in which each \"character\" has the opportunity to present themselves in all their individuality.\n\nThree distinct teams each create an episode. Together, the three episodes form a cohesive whole.\n\nCLIFFDANCERS is a dance piece that reveals the strength of the individual within the crowd, denouncing the addictive and dazzling effects of beautiful appearances, and playing on the art of survival in a world full of hidden temptations.\n\nThis performance is created by KOPERGIETERY & Tanzhaus nrw (Düsseldorf) within a broader international context. The aim is to deeply explore the relationship between dance and new media, in collaboration with numerous partners active in various fields.","一支由國際編舞家和舞者組成的團隊深入電視與多媒體的世界，在舞蹈語言中尋找最引人入勝的「懸念」時刻。\n\n他們與學者、電視編劇和視覺藝術家合作，創作一齣如同懸疑電視節目般引人入勝的舞蹈作品。如同電視影集一般，演出由數個「集數」組成，每個「角色」都有機會展現其獨特個性。\n\n三個不同的團隊各自創作一個段落。三個段落合在一起構成一個完整的作品。\n\nCLIFFDANCERS 是一齣揭示個體在群體中力量的舞蹈作品，揭露美麗外表所帶來的成癮與眩目效果，玩味著在充滿隱藏誘惑的世界中生存的藝術。\n\n此演出由 KOPERGIETERY 與 Tanzhaus nrw（杜塞道夫）在更廣泛的國際背景下共同創作。目標是深入探索舞蹈與新媒體之間的關係，並與各領域的眾多活躍夥伴合作。","Une équipe internationale de chorégraphes et de danseurs plonge dans l'univers de la télévision et du multimédia, à la recherche des scènes à suspense (« cliffhanger ») les plus prenantes du langage chorégraphique.\n\nIls s'entourent d'universitaires, de scénaristes de télévision et de plasticiens, dans le but de créer une pièce de danse qui se lit comme une émission de télévision à suspense. Tout comme une série télé, le spectacle se compose de plusieurs « épisodes » dans lesquels chaque « personnage » a l'occasion de se présenter dans toute son individualité.\n\nTrois équipes distinctes créent chacune un épisode. Ensemble, les trois épisodes forment un tout.\n\nCLIFFDANCERS, une pièce de danse révélant la force de l'individu au sein de la foule, dénonçant l'effet d'accoutumance et d'éblouissement qu'entraînent les belles apparences, jouant sur l'art de survivre dans un monde plein de tentations cachées.\n\nCe spectacle est créé par KOPERGIETERY & Tanzhaus nrw (Düsseldorf) dans un contexte international plus vaste. L'objectif est de sonder en profondeur les rapports entre la danse et les nouveaux médias, en collaboration avec de nombreux partenaires actifs dans divers domaines.",[289,291,293,296,299,301],{"role":290,"name":277},"choreography_dance",{"role":21,"name":292},"Giulia Franceschini",{"role":294,"name":295},"music_video","Alexandre Bouvier, Grégoire Simon (Yes Soeur!)",{"role":297,"name":298},"scenery_light_design","Eva G. Alonso",{"role":96,"name":300},"Hendrik Van Doorn",{"role":50,"name":302},"Tanzhaus nrw & KOPERGIETERY",[304],{"id":305,"platform":208},243312228,{"type":57,"children":307,"toc":308},[],{"title":8,"searchDepth":60,"depth":60,"links":309},[],"content:projects:cliffdancers.md","projects/cliffdancers.md",{"_path":313,"_dir":6,"_draft":7,"_partial":7,"_locale":8,"_empty":9,"title":314,"description":315,"author":219,"img":316,"carousel":317,"year":320,"links":321,"tags":324,"location":325,"descriptions":326,"credits":330,"videos":337,"body":340,"_type":62,"_id":344,"_source":64,"_file":345,"_extension":66},"/projects/crepuscule","Crepuscule","Œuvre immersive in situ dans un dôme lumineux à 360° au festival Wonderfruit. Création Visual System.","alexbouvier/crepuscule/main",[318,319],"alexbouvier/crepuscule/botlymk62nke0cfkeulr","alexbouvier/crepuscule/fwgvasozxifco5ihn2go",2022,[322,323],"https://visualsystem.org/project/polygon-crepuscule-2","wonderfruit.co",[198],"Wonderfruit Festival, Thailand",{"en":327,"fr":328,"zh":329},"For the fourth year, Polygon Live has invited us to create a futuristic art piece and create a new world for the unique 360 degree dome stage.\n\nRelive the magic that is Crépuscule - a unique, site specific show that invites us to lose ourselves in a morphing of 360° sound and visuals within our magical temple. Performed live each evening on the Polygon.live stage at Wonderfruitfestival. Original music composed by Alex Bouvier, Alex Tran and Thomas Vaquié","Pour la quatrième année consécutive, Polygon Live nous a invités à créer une œuvre d'art futuriste et à concevoir un nouveau monde pour la scène unique en dôme à 360 degrés.\n\nRevivez la magie de Crépuscule, un spectacle unique in situ qui nous invite à nous perdre dans une fusion de sons et de visuels à 360° au sein de notre temple magique. Joué en direct chaque soir sur la scène Polygon.live au Wonderfruit Festival. Musique originale composée par Alex Bouvier, Alex Tran et Thomas Vaquié.","Polygon Live 連續第四年邀請我們創作一件未來主義藝術作品，在獨特的 360 度穹頂舞台上打造一個嶄新世界。\n\n重溫《Crépuscule》的魔力——一場獨特的現場即地演出，邀請我們在魔幻神殿中迷失於 360 度的聲光融合之中。每晚在 Wonderfruit 音樂節的 Polygon.live 舞台現場演出。原創音樂由 Alex Bouvier、Alex Tran 和 Thomas Vaquié 作曲。",[331,333,335],{"role":332,"name":219},"concept_design",{"role":44,"name":334},"Alexandre Bouvier, Thomas Vaquié, Alex Tran",{"role":50,"name":336},"Polygon",[338],{"id":339,"platform":183},"Hc1PFNa96qY",{"type":57,"children":341,"toc":342},[],{"title":8,"searchDepth":60,"depth":60,"links":343},[],"content:projects:crepuscule.md","projects/crepuscule.md",{"_path":347,"_dir":6,"_draft":7,"_partial":7,"_locale":8,"_empty":9,"title":348,"description":349,"author":350,"img":351,"carousel":352,"year":320,"location":358,"tags":359,"links":360,"descriptions":363,"credits":367,"videos":373,"soundcloud":376,"body":377,"_type":62,"_id":381,"_source":64,"_file":382,"_extension":66},"/projects/danse_des_grues","Danse Des Grues","Spectacle chorégraphique pour dix grues de chantier. Danse, lumière et musique au cœur de la ville.","Kitsou Dubois","alexbouvier/danse_des_grues/main",[353,354,355,356,357],"alexbouvier/danse_des_grues/sswzr9ngnrtkfugcsbji","alexbouvier/danse_des_grues/to96trdawcgiomiqi8ur","alexbouvier/danse_des_grues/lvocanzlecccyt5rpkju","alexbouvier/danse_des_grues/q7vkry6zkclfvmsbfphp","alexbouvier/danse_des_grues/xguts8keqahxz8vsywo1","Bobigny (France)",[198],[361,362],"https://www.bobigny.fr/que-faire-a-bobigny/l-agenda-133/la-danse-des-grues-6266.html?cHash=c526295f0c6d7804ca32626655bf432e","https://www.leparisien.fr/seine-saint-denis-93/bobigny-un-ballet-mecanique-insolite-met-en-scene-les-grues-du-chantier-du-coeur-de-ville-ce-lundi-10-04-2022-D6MGNSTLI5DNTFUJCSUIS6ZGR4.php",{"en":364,"fr":365,"zh":366},"Ten majestic cranes, in the center of the city, make us look up to the sky: mechanical magic, dizzying heights, childhood memories... They are lines, arrows, directions. For one evening, under the guidance of the crane operators, they will light up, turn, and dance solo, in duos, and trios to the sound of electro music.","Dix grues majestueuses, au centre de la ville, nous font lever les yeux vers le ciel : magie mécanique, vertiges des hauteurs, souvenirs d'enfance... Elles sont lignes, flèches, directions. Le temps d'une soirée, sous la conduite des grutiers, elles vont s'illuminer, tourner, danser en solo, duo, trio au son de la musique électro.","十架雄偉的起重機，矗立在城市中心，引領我們仰望天空：機械的魔力、令人暈眩的高度、童年的回憶⋯⋯它們是線條、箭頭、方向。在一個夜晚的時間裡，在起重機操作員的引導下，它們將點亮、旋轉，隨著電子音樂的節拍獨舞、雙人舞、三人舞。",[368,370,372],{"role":369,"name":350},"concept_choreography",{"role":44,"name":371},"Alexandre Bouvier, with the voice of Sara Paone",{"role":50,"name":358},[374],{"id":375,"platform":183},"SL7MIKD-nwU","https://api.soundcloud.com/playlists/1483071709?secret_token=s-cP9iRppNGIE",{"type":57,"children":378,"toc":379},[],{"title":8,"searchDepth":60,"depth":60,"links":380},[],"content:projects:danse_des_grues.md","projects/danse_des_grues.md",{"_path":384,"_dir":6,"_draft":7,"_partial":7,"_locale":8,"_empty":9,"title":385,"description":386,"author":219,"img":387,"carousel":388,"year":391,"location":392,"tags":393,"links":394,"descriptions":397,"credits":401,"videos":407,"body":410,"_type":62,"_id":414,"_source":64,"_file":415,"_extension":66},"/projects/detour","Detour","Forêt lumineuse et sonore immersive à la Gaîté Lyrique. Installation par Visual System.","alexbouvier/detour/main",[389,390],"alexbouvier/detour/so1whkb14cjvgwef0gnk","alexbouvier/detour/imqdruhfoqu1jabzgj4p",2021,"La Gaîté Lyrique, Paris",[198],[395,396],"https://www.gaite-lyrique.net/evenement/detour","https://blogs.parisnanterre.fr/article/lexposition-detour-plongez-dans-lexperience-immersive-de-visual-system-la-gaite-lyrique",{"en":398,"zh":399,"fr":400},"La Gaîté Lyrique inaugurates an entirely reconfigured space: the first-floor exhibition area transforms into an astonishing luminous and sonic forest with the appearance of an optical illusion. The first guest of the program, the French collective Visual System, transports us to the heart of a forest with geometric abstraction, regenerating new perceptions.\n\nFrom its slender and split totem trunks, soft electroluminescent sources, undulating colored beams, and a grand orchestra of sounds emanate, all obeying secret harmonic consonances. Enveloped on all sides under its sun-dappled and shadowed sound vault, without bearings and without a fixed point of view, we are everywhere at its center and blend right into it, where everything looks the same. In a poetic exploration of space, the kinetic wandering piece Détour reverses perspectives and comes to life: it reaches out to us, draws us in, rocks us, and carries us. Does it remind us of the importance of moving forward to emerge from the depths of these places whose contours we don't always grasp, allowing the inevitable unexpected to come?\n\nContinuing its exploration of post-Internet cultures, La Gaîté Lyrique inaugurates an artistic program dedicated to new writings and immersive experiences. In the image-driven society in which we live, these innovative narrative forms, engaging all our senses, deserve special attention. This new program takes shape on the first floor of La Gaîté Lyrique. The entire floor is now dedicated to discovering the creative potentials linked to recent developments in immersion and interaction technologies.\n\nIn Détour, the visitor, completely free in their movements, discovers sixteen totems, each 2.50 meters high, striped with LEDs. Inspired by abstract pictorial sculptures, these luminous monoliths are erected within a darkened space. They animate and respond to the rhythm of a sound creation that guides us through the meanders of a new ecosystem, opening a dialogue between humans, nature, and machines. Sounds and lights awaken in tandem. As the journey progresses, the sonic perception intensifies. The light is soft and indirect. The music, created by composers Thomas Vaquié and Alexandre Bouvier, is enveloping. Détour invites one to get lost in a morphing of sound and visual landscapes, within a dreamlike forest regenerating new perceptions and harboring unknown worlds.","嘉禮劇院啟用了一個全新改造的空間：一樓展覽區域化身為一座令人驚嘆的光影與聲音之森，彷彿一場視覺幻術。作為該計畫的首位受邀者，法國藝術團體 Visual System 帶領我們深入一座幾何抽象的森林，重塑全新感知。\n\n從纖長而裂開的圖騰樹幹中，散發出柔和的電致發光光源、波動的彩色光束，以及一個由聲音構成的盛大管弦樂團，所有一切共同遵循著神秘的和諧共鳴。四面八方被陽光與陰影穿透的聲音穹頂所環繞，沒有方位、沒有固定視角，我們處處位於其中心，融入其中，一切看起來都如此相似。在這場空間的詩學中，動態漫遊作品《Détour》翻轉了透視，活了起來：它向我們伸出手，將我們拉近，搖晃我們，承載我們。它是否在提醒我們，向前邁進的重要性——走出這些我們未必能辨明輪廓的深處，讓不可避免的意外降臨？\n\n延續對後網路文化的探索，嘉禮劇院開啟了一項致力於新型書寫與沈浸式體驗的藝術計畫。在我們所生活的圖像社會中，這些調動我們所有感官的創新敘事形式，值得特別關注。這個新計畫在嘉禮劇院的一樓成形。整個樓層現在專門用於探索與近年沈浸和互動技術發展相關的創作潛能。\n\n在《Détour》中，參觀者完全自由行動，發現十六根高達 2.5 公尺、佈滿 LED 燈條的圖騰。靈感來自抽象繪畫雕塑，這些發光的巨石矗立在一個暗黑空間中。它們隨著聲音創作的節奏而活動、彼此回應，引領我們穿行於一個嶄新生態系統的迴廊之中，開啟人、自然與機器之間的對話。聲音與光芒同步甦醒。隨著旅程推進，聽覺感知越發強烈。光線柔和而間接。由作曲家 Thomas Vaquié 和 Alexandre Bouvier 創作的音樂，具有包覆感。《Détour》邀請人們在聲音與視覺景觀的形變中迷失自我，置身於一座夢幻般的森林中，重塑全新感知，孕育未知世界。","La Gaîté Lyrique inaugure un espace entièrement reconfiguré : la zone d’exposition du premier étage se transforme en une étonnante forêt lumineuse et sonore aux airs d’illusion d’optique. Premier invité du programme, le collectif français Visual System nous transporte au cœur d’une forêt à l’abstraction géométrique, régénératrice de perceptions nouvelles.\n\nDe ses troncs-totems élancés et fendus jaillissent de douces sources électroluminescentes, des faisceaux ondulants colorés et un grand orchestre de sons obéissant ensemble à des consonances harmoniques secrètes. Enveloppés de toute part sous sa voûte sonore traversée de soleil et d’ombres, sans repères et sans point de vue fixe, nous sommes partout en son centre et nous nous fondons au beau milieu d’elle, là où tout se ressemble. Dans une poétique de l’espace, l’œuvre de déambulation cinétique Détour inverse les perspectives et s’anime : elle nous tend la main, nous tire à elle, nous berce et nous porte. Nous rappellerait-elle l’importance d’aller de l’avant pour sortir de la profondeur de ces lieux dont on ne cerne pas toujours les contours et pour laisser venir l’inévitable inattendu ?\n\nPoursuivant ses explorations des cultures post- Internet, la Gaîté Lyrique inaugure un programme artistique dédié aux nouvelles écritures et expériences immersives. Dans la société d’images dans laquelle nous vivons, ces formes de récit innovantes, qui mobilisent tous nos sens, méritent une attention toute particulière. Ce nouveau programme prend forme au premier étage de la Gaîté Lyrique. L’entièreté du plateau est désormais consacré à la découverte des potentiels créatifs liés aux développements récents des technologies d’immersion et d’interaction.\n\nDans Détour, le visiteur, totalement libre de ses mouvements, découvre seize totems d’une hauteur de 2,50 mètres striés de LED. Inspirés par les sculptures picturales abstraites, ces monolithes lumineux sont érigés au sein d’un espace plongé dans le noir. Ils s’animent et se répondent au rythme d’une création sonore qui nous guide dans les méandres d’un nouvel écosystème, ouvrant un dialogue entre l’homme, la nature et la machine. Sons et lumières s’éveillent en tandem. Au fur et à mesure de la traversée, la perception sonore s’intensifie. La lumière est douce et indirecte. La musique, créée par les compositeurs Thomas Vaquié & Alexandre Bouvier, est enveloppante. Détour invite à se perdre dans un morphing de paysages sonores et visuels, au sein d’une forêt onirique régénératrice de perceptions nouvelles, abritant des mondes inédits.",[402,403,405],{"role":332,"name":219},{"role":44,"name":404},"Alexandre Bouvier, Thomas Vaquié",{"role":50,"name":406},"La Gaîté Lyrique (France)",[408],{"id":409,"platform":183},"-_ED2IZ4BH4",{"type":57,"children":411,"toc":412},[],{"title":8,"searchDepth":60,"depth":60,"links":413},[],"content:projects:detour.md","projects/detour.md",{"_path":417,"_dir":6,"_draft":7,"_partial":7,"_locale":8,"_empty":9,"title":418,"description":419,"author":420,"img":421,"carousel":422,"year":426,"tags":427,"descriptions":428,"credits":432,"soundcloud":452,"body":453,"_type":62,"_id":457,"_source":64,"_file":458,"_extension":66},"/projects/diagnostic_f20_9","DIAGNOSTIC F20.9","Solo de Jann Gallois sur les mécanismes de contrôle cérébral et la schizophrénie. Danse.","Jann Gallois","alexbouvier/diagnostic_f20_9/main",[423,424,425],"alexbouvier/diagnostic_f20_9/vsv3r7exgpuyofhzikzh","alexbouvier/diagnostic_f20_9/q8nhwzolyoqteezptcpd","alexbouvier/diagnostic_f20_9/hn5jozcf38kangpbe6cc",2014,[21],{"en":429,"fr":430,"zh":431},"Diagnostic F20.9 is born of my interest in cerebral control mechanisms in regard to the body and thought. As a student of cognitive dysfunction, I immersed myself in the medical milieu of psychiatry, and I discovered a widespread disease, a victim of much prejudice and yet still misunderstood by mainstream culture: schizophrenia. The different encounters and exchanges that I was able to have with schizophrenics gave me the desire to transpose this mental disorder into a corporal vocabulary. People that are so rich in sensibility and intelligence merit, in my opinion, a witness that destigmatizes this disease.","Diagnostic F20.9 est né de mon intérêt pour les mécanismes de contrôle cérébral en relation avec le corps et la pensée. En tant qu'étudiante des dysfonctionnements cognitifs, je me suis immergée dans le milieu médical de la psychiatrie, et j'ai découvert une maladie répandue, victime de nombreux préjugés et pourtant encore mal comprise par la culture dominante : la schizophrénie. Les différentes rencontres et échanges que j'ai pu avoir avec des schizophrènes m'ont donné l'envie de transposer ce trouble mental dans un vocabulaire corporel. Des personnes d'une telle richesse en sensibilité et en intelligence méritent, à mon avis, un témoignage qui déstigmatise cette maladie.","《Diagnostic F20.9》源於我對大腦控制機制與身體及思想之間關係的興趣。作為認知功能障礙的研究者，我深入精神醫學領域，發現了一種廣泛存在、飽受偏見之苦，卻仍被主流文化所誤解的疾病：思覺失調症。我與思覺失調症患者的各種相遇與交流，激發了我將這種精神疾病轉化為身體語彙的渴望。在我看來，這些在感性與智慧上如此豐富的人們，值得一份能夠去除疾病汙名的見證。",[433,435,437,439,442,444,446,449],{"role":434,"name":420},"choreography_text_and_performance",{"role":436,"name":45},"sound_design_and_video_mapping",{"role":41,"name":438},"Cyril Mulon",{"role":440,"name":441},"costume","Marie-Cécile Viault",{"role":50,"name":443},"Cie BurnOut",{"role":53,"name":445},"Theatre de Suresnes Jean Vilar • Maison Folie Wazemmes de Lille • Arcadi ile-de- France / Dispositifs d’accompagnements • IADU (Fondation de France / La Villette avec le soutien de la caisse des Dépôts et de l’Acsé) • La Briqueterie / CDCN du Val-de-Marne • CDCN Atelier de Paris / Carolyn Carlson • Avec le soutien de la DRAC Île-de-France / Ministère de la Culture et de la Communication",{"role":447,"name":448},"residencies","SINARTS Cultural Center Budapest • 104 Paris • Anciennes cuisines / Fabrique artistique de Ville-Evrard",{"role":450,"name":451},"thanks_to","Frédéric Le Van, Estelle Botvinik and the Colbert Medical Center of Paris","https://api.soundcloud.com/playlists/1483284316?secret_token=s-oThzCoOipCP",{"type":57,"children":454,"toc":455},[],{"title":8,"searchDepth":60,"depth":60,"links":456},[],"content:projects:diagnostic_f20_9.md","projects/diagnostic_f20_9.md",{"_path":460,"_dir":6,"_draft":7,"_partial":7,"_locale":8,"_empty":9,"title":461,"description":462,"author":463,"img":464,"year":16,"tags":465,"descriptions":467,"body":471,"_type":62,"_id":475,"_source":64,"_file":476,"_extension":66},"/projects/flocs","Flocs","Œuvre d'art numérique interactive sur smartphones. Création d'Anne Dubos, en résidence à l'IRCAM.","Anne Dubos","alexbouvier/flocs/main",[466],"performance",{"en":468,"fr":469,"zh":470},"The guests, equipped with their « ordiphones », participated via the CoSiMa application in an interactive digital art piece titled Flocs, created by anthropology researcher Anne Dubos (in residence at the IEA) and the association Little Heart Movement. A dark aviary-like sound and visual ambiance unfolded in the room under the frantic agitation of everyone's mobile phones. Between caution and enchantment, the performance certainly left no one indifferent.","Les invités, munis de leurs « ordiphones », ont participé via l’application CoSiMa à une œuvre d’art numérique interactive intitulée Flocs, créée par la chercheuse en anthropologie Anne Dubos (en résidence à l’IEA) et l’association Little Heart Movement. Une ambiance sonore et visuelle de volière ténébreuse s’est déployée dans la salle sous l’agitation frénétique des téléphones portables de chacun. Entre circonspection et enchantement, la prestation n’a en tout cas laissé personne indifférent.","賓客們手持各自的智慧型手機，透過 CoSiMa 應用程式參與了一件名為《Flocs》的互動數位藝術作品。該作品由人類學研究者 Anne Dubos（IEA 駐村藝術家）和 Little Heart Movement 協會共同創作。在眾人手機的瘋狂揮動之下，一種如同幽暗鳥舍般的聲光氛圍在室內蔓延開來。在審慎與著迷之間，這場演出無疑令在場所有人都留下了深刻印象。",{"type":57,"children":472,"toc":473},[],{"title":8,"searchDepth":60,"depth":60,"links":474},[],"content:projects:flocs.md","projects/flocs.md",{"_path":478,"_dir":6,"_draft":7,"_partial":7,"_locale":8,"_empty":9,"title":479,"description":480,"author":219,"img":481,"carousel":482,"links":484,"tags":486,"location":487,"year":488,"descriptions":489,"videos":493,"soundcloud":496,"body":497,"_type":62,"_id":501,"_source":64,"_file":502,"_extension":66},"/projects/heretocreate","Here To Create","Terrain multisport futuriste interactif de 200 m² pour Adidas. Création Visual System.","alexbouvier/heretocreate/main",[483],"alexbouvier/heretocreate/xrjn0jijp5mopbxh3qde",[485],"https://visualsystem.org/project/here-to-create",[229],"Trocadero, Paris",2016,{"en":490,"fr":491,"zh":492},"Creation of a 200 m² futuristic multisport field for Adidas. Each player interacts with the field in real time (basketball, football, handball).","Création d'un terrain multisport futuriste de 200 m² pour Adidas. Chaque joueur interagit avec le terrain en temps réel (Basket, Foot, Handball).","為 Adidas 打造的 200 平方公尺未來感多功能運動場。每位球員與場地即時互動（籃球、足球、手球）。",[494],{"id":495,"platform":208},196409509,"https://api.soundcloud.com/tracks/1323718774?secret_token=s-P0rjvCU7kdT",{"type":57,"children":498,"toc":499},[],{"title":8,"searchDepth":60,"depth":60,"links":500},[],"content:projects:heretocreate.md","projects/heretocreate.md",{"_path":504,"_dir":6,"_draft":7,"_partial":7,"_locale":8,"_empty":9,"title":505,"description":506,"author":507,"link":508,"img":509,"year":258,"tags":510,"descriptions":511,"links":515,"videos":517,"body":520,"_type":62,"_id":524,"_source":64,"_file":525,"_extension":66},"/projects/incense_of_music","Incense of Music","Performance musicale immersive avec SUGAR et Yes Soeur!","SUGAR - Yes Soeur!",null,"alexbouvier/yessoeur/main",[466],{"en":512,"fr":513,"zh":514},"Immersive musical performance with SUGAR and Yes Soeur! collective. A sensory ritual where electronic music, scent and movement merge into a singular live experience.","Performance musicale immersive avec le collectif SUGAR et Yes Soeur!. Un rituel sensoriel où musique électronique, parfum et mouvement fusionnent en une expérience live singulière.","與 SUGAR 和 Yes Soeur! 集體合作的沈浸式音樂演出。一場感官儀式，電子音樂、氣味與動作融合為一場獨特的現場體驗。",[516],"https://incenseofmusic.com/en/2017/03/14/incense-of-music-no-14/",[518],{"id":519,"platform":183},"7Dr04vAPwFM",{"type":57,"children":521,"toc":522},[],{"title":8,"searchDepth":60,"depth":60,"links":523},[],"content:projects:incense_of_music.md","projects/incense_of_music.md",{"_path":527,"_dir":6,"_draft":7,"_partial":7,"_locale":8,"_empty":9,"title":528,"description":529,"author":530,"img":531,"carousel":532,"year":426,"tags":534,"descriptions":536,"soundcloud":540,"body":541,"_type":62,"_id":545,"_source":64,"_file":546,"_extension":66},"/projects/kid_birds_for_camera","Kid Birds for camera","Film de danse d'après l'œuvre de Merce Cunningham. Réalisation Eric Minh Cuong Castaing et David Daurier.","Shonen","alexbouvier/kid_birds_for_camera/main",[533],"alexbouvier/kid_birds_for_camera/apxyrsqj4j0ka0wgdblk",[535],"movie",{"en":537,"fr":538,"zh":539},"A dance film by Eric Minh Cuong Castaing and David Daurier, based on the work and approach of Merce Cunningham. Produced by Compagnie Shonen, the film reimagines Cunningham’s choreographic principles through the lens of contemporary dance and digital creation, with original music by Alex Bouvier.","Un film de danse d’Eric Minh Cuong Castaing et David Daurier, d’après l’œuvre et la démarche de Merce Cunningham. Produit par la Compagnie Shonen, le film réinvente les principes chorégraphiques de Cunningham à travers le prisme de la danse contemporaine et de la création numérique, avec une musique originale d’Alex Bouvier.","由 Eric Minh Cuong Castaing 和 David Daurier 執導的舞蹈影片，取材自 Merce Cunningham 的創作與方法。由 Shonen 舞團製作，影片透過當代舞蹈與數位創作的視角重新詮釋 Cunningham 的編舞原則，配以 Alex Bouvier 的原創音樂。","https://api.soundcloud.com/tracks/1323705724?secret_token=s-SZAd5V5NSxw",{"type":57,"children":542,"toc":543},[],{"title":8,"searchDepth":60,"depth":60,"links":544},[],"content:projects:kid_birds_for_camera.md","projects/kid_birds_for_camera.md",{"_path":548,"_dir":6,"_draft":7,"_partial":7,"_locale":8,"_empty":9,"title":549,"description":550,"author":551,"img":552,"carousel":553,"tags":556,"year":557,"descriptions":558,"credits":562,"videos":582,"soundcloud":585,"body":586,"_type":62,"_id":590,"_source":64,"_file":591,"_extension":66},"/projects/lache","Lâche","Pièce chorégraphique sur la séparation et la résistance. Triptyque amoureux de Mélanie Perrier.","Melanie Perrier","alexbouvier/lache/main",[554,555],"alexbouvier/lache/vjl3qwapjt1ezkijop6r","alexbouvier/lache/gagekgss3kvct2rdxwnu",[21],2015,{"en":559,"zh":560,"fr":561},"The final piece of a triptych dedicated to the complexities of romantic entanglements, Lâche explores the theme of separation through the lens of resistance. Mélanie Perrier employs the dual meaning of \"lâcheté\" (cowardice), juxtaposing the indolence of a fading sentimental bond with the weakness of the mind that refuses to accept it. On an empty stage, a nearly naked female duo, intertwined, gradually deconstructs their Janus-like form, transitioning from an erotic fusion into an indistinct mass to the autonomy of two exhausted bodies. With choreography designed horizontally, and a composition working on the elongation of time and the imperceptible, Mélanie Perrier minimizes a sentimental attachment that resists the idea of its end.\n\nThe pulsating techno music, performed live by Yes Sœur!, contrasts with the languor of the gestures, which through caresses, interlockings, kisses, rotations, and tensions, maintain the overall balance of postures. The dependence on the emotional bond is embodied by reciprocal supports that literally tie the two together, just as the mineral hue of their skin, accentuated by the lighting design, merges them into a single block as carnal as it is muscular. The lighting, the sole scenographic element, also creates a play of contrasts between shadows and visibility, between the indistinctness of the performers and their separation, making the evident hesitation to break the bond even more palpable.\n\nIn a second phase, marked by a more anxious suspension, the tendencies towards dissociation introduce disruptive elements: asymmetries, nervous exchanges, struggles, and upheavals. It is no longer about abandoning oneself cowardly to the other, but about letting go of each other, breaking the bonds at the cost of one's own stability. Playing on the oppositions between tension and release, the choreography shapes the paradox of physical and mental plasticity, highlighting how couples adapt to each other, invent themselves, while simultaneously becoming sclerotic, succumbing to the rigidity of habit. Between the aesthetics of fluidity and petrification, the piece probes that moment of latency where two lives desynchronize, torn between the desire to flee and the resistance to change.\n\nWith its stripped-down dramaturgy, sustained throughout, Mélanie Perrier creates a dense piece that, through the interplay of movement, music, and light, sensitizes the audience to the psychological and physical rhythm variations that make and break a love story. A simple and accurate reflection on a confusing situation, Lâche ultimately stages two committed performers who skillfully negotiate, between closeness and distance, the form of a troubled intimacy.\n\nFlorian Gaité","作為愛情三部曲的最終章，《Lâche》透過抵抗的稜鏡探索分離的主題。Mélanie Perrier 運用「lâcheté」（怯懦）的雙重含義，將日漸消逝的感情紐帶之慵懶，與拒絕接受這一事實的精神脆弱並置。在空蕩的舞台上，一對幾近裸裸的女性雙人舞，相互纏繞，逐步解構她們的雅努斯般的形態，從一種情慾融合中不可分辨的整體過渡到兩具疲憊身體的自主。以水平構思的編舞，以及在時間的延展與不可感知中運作的樂譜，Mélanie Perrier 將一段無法接受終結的感情依附簡化為最低限度的動作。\n\n由 Yes Sœur! 現場演奏的脈動電子音樂，與舞蹈姿態的慵懶形成對比——撫摸、交錯、親吻、旋轉、滑動與張力，維持著姿態的整體平衡。情感紐帶的依賴性在此體現為相互支撐的遊戲，將兩人真切地聯繫在一起，正如她們皮膚的礦物色調——由燈光設計所描繪——將兩人融為一個既充滿肉慾又飽含力量的整體。燈光作為唯一的舞台元素，同時營造出陰影與可見之間、表演者的模糊與分離之間的對比遊戲，使那份不願斷裂關係的猶豫更加突出。\n\n在第二階段，一種更為不安的懸置中，分離的意圖引入了打破性的元素：不對稱、緊張的交換、掙扎與翻轉。此時不再是怯懦地依附對方，而是放開彼此，以犧牲自身穩定為代價斷裂連結。在張力與放鬆的對立之間遊走，編舞塑造了身體與心理可塑性的悖論，凸顯了伴侶如何相互適應、相互創造，同時又如何固化、屈服於習慣的僵硬。在流動與石化的美學之間，作品探測著兩個生命失去同步的那個潛伏時刻，在逃離的渴望與改變的抗拒之間掙扎。\n\n以始終如一的精煉戲劇結構，Mélanie Perrier 創作了一齣密集的作品，通過動作、音樂和光的交匯，讓觀眾感受到構成和瓦解一段愛情故事的心理與身體節奏變化。這是對一種混亂處境的簡潔而精確的反思，《Lâche》最終讓兩位全心投入的表演者登台，她們在親近與疏離之間，巧妙地協商著一段紛亂親密關係的形態。\n\nFlorian Gaité","Dernière pièce d’un triptyque consacré au noeud amoureux, Lâche travaille le motif de la séparation à travers le prisme de la résistance. Mélanie Perrier mobilise ici le double sens de la lâcheté, renvoyant dos-à-dos l’indolence d’un lien sentimental qui s’étiole et la faiblesse de l’esprit qui ne l’accepte pas. Sur un plateau vide, un duo féminin enlacé, quasiment nu, déconstruit progressivement sa forme janusienne, organisant le passage d’une fusion érotique dans une masse indifférenciée à l’autonomie de deux corps épuisés. Sur une chorégraphie pensée à l’horizontale, une partition travaillant l’étirement du temps et l’imperceptible, Mélanie Perrier réduit à son mouvement minimal un attachement affectif qui ne se résout pas à l’idée de sa fin.\n\nLa pulsation de la musique techno, jouée en live par le collectif Yes Sœur, contraste avec la langueur de la gestuelle qui, de caresses en imbrications, de baisers en rotations, de glissements en tensions, maintient l’équilibre général des postures. La dépendance du lien affectif est ici incarnée par un jeu d’appuis réciproques qui les noue littéralement l’une de l’autre, de même que la teinte minérale de leurs peaux, dessinée par la création lumière, les confond en un seul bloc aussi charnel que musculaire. Seul élément scénographique, cette dernière installe également un jeu de contrastes entre zones d’ombres et de visibilité, entre l’indistinction des interprètes et leur séparation, rendant plus prégnante encore l’hésitation manifeste à rompre le lien.\n\nDans un second temps, celui d’une suspension plus inquiète, les velléités de dissociation introduisent des éléments disruptifs : dissymétries, échanges nerveux, luttes et basculements. Il s’agit alors non plus de s’abandonner lâchement à l’autre, mais de se lâcher l’un l’autre, de rompre les attaches au prix de son propre maintien. Jouant des oppositions entre tension et relâchement, la chorégraphie donne forme au paradoxe de la plasticité physique et mentale, à cette façon qu’ont les couples de s’adapter l’un à l’autre, de s’inventer, tout en se sclérosant, tout en succombant à la rigidité de l’habitude. Entre esthétiques de la fluidité et de la pétrification, la pièce sonde ce moment de latence où deux existences se désynchronisent, partagées entre désir de fuite et résistance au changement.\n\nAvec sa dramaturgie épurée, tenue de bout en bout, Mélanie Perrier signe une pièce dense qui, par la rencontre entre mouvement, musique et lumière, sensibilise aux variations de rythmes psychologiques et physiques qui font et défont une histoire d’amour. Réflexion simple et juste sur une situation confuse, Lâche met enfin en scène deux interprètes investies qui négocient savamment, entre proximité et distance, la forme d’une intimité trouble.\n\nFlorian Gaité",[563,565,567,569,571,574,577,579],{"role":32,"name":564},"Mélanie Perrier",{"role":35,"name":566},"Marie Barbottin, Véronique Laugier",{"role":44,"name":568},"Alexandre Bouvier & Grégoire Simon (Yes Soeur!)",{"role":41,"name":570},"Jan Fedinger",{"role":572,"name":573},"makeup","Sylvain Dufour",{"role":575,"name":576},"movement_consultant","Nathalie Schulmann",{"role":53,"name":578},"Rencontres chorégraphiques internationales de Seine-Saint-Denis, Conseil Général de l’Essonne, Association Beaumarchais-SACD,DRAC Île-de-France (aide au projet chorégraphique), Collectif pour la culture en Essonne",{"role":580,"name":581},"support","Centre national de la danse (Pantin), La Faïencerie (Creil),Centre chorégraphique national de Caen, Théâtre Louis Aragon – scène conventionnée danse (Tremblay-en-France), Centre dramatique national de Haute-Normandie, Nouveau théâtre de Montreuil, Théâtre de l’Agora – scène nationale d’Evry et de l’Essonne",[583],{"id":584,"platform":208},126062627,"https://api.soundcloud.com/tracks/1323512380?secret_token=s-wQvRZ4bnAU8",{"type":57,"children":587,"toc":588},[],{"title":8,"searchDepth":60,"depth":60,"links":589},[],"content:projects:lache.md","projects/lache.md",{"_path":593,"_dir":6,"_draft":7,"_partial":7,"_locale":8,"_empty":9,"title":594,"description":595,"author":530,"img":596,"carousel":597,"year":258,"location":600,"tags":601,"links":602,"descriptions":605,"videos":609,"soundcloud":612,"body":613,"_type":62,"_id":617,"_source":64,"_file":618,"_extension":66},"/projects/lage_dor","L’Âge d’Or","Diptyque film et performance avec des enfants en situation de handicap et des danseurs. Prix Audi Talent 2017.","alexbouvier/lage_dor/main",[598,599],"alexbouvier/lage_dor/flondbuptehuqq8yxs5k","alexbouvier/lage_dor/bwzwmleiiby8dpzlevgi","Paris",[535],[603,604],"https://www.shonen.info/lage-dor","https://dansercanalhistorique.fr/?q=content/l-age-d-or-un-nouveau-regard-sur-le-corps",{"en":606,"fr":607,"zh":608},"A diptych composed of a film and a performance, L’Âge d’Or is a journey offering different perspectives related to a specific reality: a choreographic experiment bringing together children with motor disorders and dancers, combining bodily techniques and new technologies.\n\nThis piece is created in artistic collaboration with Aloun Marchal (co-choreographer), Marine Relinger (dramaturgy), and Silvia Costa (visual artist).\n\nWinner of the 2017 Audi Talent Award.","Diptyque composé d’un film et d’une performance, L’Âge d’Or est un parcours proposant différents points de vue liés à une réalité spécifique : une expérimentation chorégraphique rassemblant des enfants atteints de troubles moteurs et des danseurs, qui associe technicités corporelles et nouvelles technologies.\n\nCette pièce est en collaboration artistique avec Aloun Marchal (co-chorégraphe), Marine Relinger (dramaturgie) et Silvia Costa (artiste visuelle).\n\nPrix Audi Talent 2017.","由一部影片和一場演出組成的雙聯作品，《L’Âge d’Or》（黃金時代）是一段旅程，提供與一個特定現實相關的不同視角：一場將身體障礙兒童與舞者聚集在一起的編舞實驗，結合了身體技巧與新科技。\n\n這件作品與 Aloun Marchal（聯合編舞）、Marine Relinger（戲劇構作）和 Silvia Costa（視覺藝術家）進行藝術合作。\n\n2017年奧迪人才獎得主。",[610],{"id":611,"platform":208},428992227,"https://api.soundcloud.com/playlists/1483079350?secret_token=s-avMXGUT3BzB",{"type":57,"children":614,"toc":615},[],{"title":8,"searchDepth":60,"depth":60,"links":616},[],"content:projects:lage_dor.md","projects/lage_dor.md",{"_path":620,"_dir":6,"_draft":7,"_partial":7,"_locale":8,"_empty":9,"title":621,"description":622,"author":530,"img":623,"carousel":624,"year":626,"tags":627,"descriptions":628,"credits":632,"soundcloud":666,"body":667,"_type":62,"_id":671,"_source":64,"_file":672,"_extension":66},"/projects/lil_dragon","Lil' Dragon","Pièce chorégraphique entre ballet royal cambodgien et hip-hop.","alexbouvier/lil_dragon/main",[625],"alexbouvier/lil_dragon/zlyguardvaz7duypvzir",2013,[21],{"en":629,"fr":630,"zh":631},"A former star of the Royal Ballet of Cambodia faces a young hip-hop dancer who conveys her urban world through dance. On stage, two forms of struggle are thus brought together: resistance for the elderly woman and combat for the younger one.\n\nThe two women are then joined by a wave of children, leading to a fusion between the three generations.\n\nAround twenty children from the region take the stage and showcase to the audience the dances they learned during 8 to 10 sessions. The young participants also had the opportunity to explore Butoh dance through mimicry workshops.","Une ancienne étoile du ballet royal de Cambodge fait face à une jeune danseuse hip-hop qui transmet son univers urbain par la danse. Sur scène sont donc réunies deux formes de lutte, la résistance pour la vieille femme et le combat pour la plus jeune.\n\nLes deux femmes sont ensuite rejointes par une vague d'enfants. S'ensuit alors une fusion entre les trois générations.\n\nUne vingtaine d'enfants de la région monte sur scène et dévoile au public les danses apprises durant 8 à 10 sessions. Les jeunes participants ont aussi eu la chance de découvrir la danse Butô à travers des ateliers de mimétisme.","一位柬埔寨皇家芭蕾舞團的前明星舞者，面對一位透過舞蹈傳遞其都市世界的年輕嘻哈舞者。舞台上因此匯聚了兩種抗爭形式：年長女性的堅忍與年輕女性的搏鬥。\n\n隨後，兩位女性被一波湧上的孩子們所加入，三個世代由此融合。\n\n約二十名當地孩童登上舞台，向觀眾展示他們在 8 至 10 節課程中所學習的舞蹈。年輕的參與者們也有機會透過模仿工作坊體驗舞踏藝術。",[633,635,638,640,642,645,648,650,652,655,658,661,664],{"role":634,"name":12},"artistic_direction_and_choreography",{"role":636,"name":637},"close_collaboration","Gaétan Brun Picard, Ingrid Estarque, Meah Savay",{"role":35,"name":639},"Ingrid Estarque, Meah Savay avec un groupe d'enfants",{"role":38,"name":641},"Céleste Germe",{"role":643,"name":644},"assistant_choreographer","Gaétan Brun Picard",{"role":646,"name":647},"video","Pierre Gufflet",{"role":44,"name":649},"Naun & Alexandre Bouvier",{"role":41,"name":651},"Sébastien Lefevre",{"role":653,"name":654},"costumes","Luce Noyer",{"role":656,"name":657},"animation","Matthieu Gaillard, Cyril Drouin",{"role":659,"name":660},"short_film","Jean-François Julian",{"role":662,"name":663},"masque","Emilie Bak",{"role":50,"name":665},"Aurélien Guillois (Bureau FormART) AVEC LE SOUTIEN DE Modul-Dance","https://api.soundcloud.com/tracks/1323932350?secret_token=s-gEXTtq9jAQ4",{"type":57,"children":668,"toc":669},[],{"title":8,"searchDepth":60,"depth":60,"links":670},[],"content:projects:lil_dragon.md","projects/lil_dragon.md",{"_path":674,"_dir":6,"_draft":7,"_partial":7,"_locale":8,"_empty":9,"title":675,"description":676,"author":677,"img":678,"carousel":679,"links":682,"year":320,"tags":684,"descriptions":685,"credits":689,"soundcloud":702,"body":703,"_type":62,"_id":707,"_source":64,"_file":708,"_extension":66},"/projects/my_body_is_a_queer_history_museum","My Body Is A Queer History Museum","Performance queer de River Lin, le corps comme musée, entre identité et intervention artistique.","River Lin","alexbouvier/my_body_is_a_queer/main",[680,681],"alexbouvier/my_body_is_a_queer/pwsvz4vm9bfovexggp4d","alexbouvier/my_body_is_a_queer/hnwpzrjzmhmvzvanjxre",[683],"https://www.lafayetteanticipations.com/en/manifestation/river-lin-my-body-queer-history-museum",[466],{"en":686,"zh":687,"fr":688},"Conceived by artist River Lin, \"My Body is a Queer History Museum\" arises from the following question: How to imagine a queer intervention within the context of an existing structure and exhibit?\n\nThis idea is channeled through physical embodiment, as it is part of a performative heritage that seeks to disrupt the modalities and spaces of representation, questioning their various forms of hospitality.\n\nAs such, \"My Body is a Queer History Museum\" proposes the creation of a temporary museum within an existing exhibit space, using the personal stories and gender politics of a dedicated group of performers. These non-binary life materials relate queer journeys and experiences, reflecting a multiplicity of oblique, deviant identities and ways of seeing the world.\n\nThe stories become the live material for happenings that will be presented over two days (durational performances of 4 hours). Choreographed phrases, readings of poetic texts and social manifestos, participatory activities: each initiative is an opportunity for the public to connect with the stories and the context within which they are shared.\n\nIf River Lin’s work seems to find its place within artist Xinyi Cheng’s solo exhibit, it is because it resonates with the intimate moments – fleeting and fervent – that the visual artist has captured on canvas. River’s performative gesture is an amplification of Cheng’s sensorial encounters (on fire, in the cold, in water) through the manifestation of their effects on the bodies that traverse and live them.\n\nThus, the performance of a museum within an exhibit becomes a surprising and inviting opportunity to consider relational narratives (about bodies, affects, wants, and desires). The stories set in motion are glimmers that suddenly appear - like a match lit at night, a spark in the dark.","由藝術家林人中構思的《My Body is a Queer History Museum》源自以下提問：如何在既有的結構與展覽脈絡中想像一場酷兒介入？\n\n這個概念透過身體的具現化得以實踐，它屬於一種表演性遺產的一部分，旨在擾動表現的模式與空間，質疑其各種形式的接待性。\n\n因此，《My Body is a Queer History Museum》提議在現有展覽空間內創建一座臨時博物館，運用一群專注表演者的個人故事與性別政治。這些非二元的生命素材講述著酷兒旅程與經歷，反映出斜向的、偏離常軌的多元身分認同與世界觀。\n\n這些故事成為在兩天期間（每場 4 小時的持續性表演）呈現的即興事件之活性素材。編舞語句、詩歌文本與社會宣言的朗讀、參與式活動：每一項行動都是讓觀眾連結這些故事及其分享脈絡的機會。\n\n如果說林人中的作品似乎在藝術家程心怡的個展中找到了歸屬，那是因為它與這位視覺藝術家在畫布上捕捉到的那些親密時刻——短暫而熾熱——產生了共鳴。林人中的表演性姿態是對程心怡感官相遇（在火中、在寒冷中、在水中）的放大，透過這些效果在穿越和經歷它們的身體上的顯現。\n\n因此，在展覽中進行一場博物館的表演，成為一個出人意料且令人嚮往的契機，讓人思考關係性敘事（關於身體、情感、需要與慾望）。被啟動的故事是突然閃現的光芒——如同夜裡點燃的一根火柴、黑暗中的一點火花。","Conçu par l'artiste River Lin, \"My Body is a Queer History Museum\" découle de la question suivante : comment imaginer une intervention queer dans le contexte d'une structure et d'une exposition existantes ?\n\nCette idée se concrétise à travers l'incarnation physique, faisant partie d'un patrimoine performatif qui cherche à perturber les modalités et les espaces de représentation, en questionnant leurs diverses formes d'hospitalité.\n\nAinsi, \"My Body is a Queer History Museum\" propose la création d'un musée temporaire au sein d'un espace d'exposition existant, en utilisant les histoires personnelles et les politiques de genre d'un groupe de performers dédié. Ces matériaux de vie non-binaires relatent des parcours et des expériences queer, reflétant une multiplicité d'identités obliques, déviantes et de façons de voir le monde.\n\nLes histoires deviennent la matière vivante pour des happenings qui seront présentés sur deux jours (performances de longue durée de 4 heures). Phrases chorégraphiées, lectures de textes poétiques et de manifestes sociaux, activités participatives : chaque initiative est une opportunité pour le public de se connecter aux histoires et au contexte dans lequel elles sont partagées.\n\nSi le travail de River Lin semble trouver sa place au sein de l'exposition solo de l'artiste Xinyi Cheng, c'est parce qu'il résonne avec les moments intimes – fugaces et fervents – que l'artiste visuel a capturés sur toile. Le geste performatif de River est une amplification des rencontres sensorielles de Cheng (en feu, dans le froid, dans l'eau) à travers la manifestation de leurs effets sur les corps qui les traversent et les vivent.\n\nAinsi, la performance d'un musée au sein d'une exposition devient une opportunité surprenante et invitante de considérer des récits relationnels (sur les corps, les affects, les envies et les désirs). Les histoires mises en mouvement sont des lueurs qui apparaissent soudainement – comme une allumette allumée dans la nuit, une étincelle dans l'obscurité.",[690,692,695,696,699],{"role":691,"name":677},"concept_and_choreography",{"role":693,"name":694},"with","Sherwood Chen, Wanjiru Kamuyu, Calixto Neto, Shihya Peng, Kai Simon Stoeger",{"role":44,"name":45},{"role":697,"name":698},"curation","Madeleine Planeix-Crocker",{"role":700,"name":701},"project_coordinator","Oksana Delaroff","https://api.soundcloud.com/tracks/1323523615?secret_token=s-98DOO5UGAAF",{"type":57,"children":704,"toc":705},[],{"title":8,"searchDepth":60,"depth":60,"links":706},[],"content:projects:my_body_is_a_queer_history_museum.md","projects/my_body_is_a_queer_history_museum.md",{"_path":710,"_dir":6,"_draft":7,"_partial":7,"_locale":8,"_empty":9,"title":711,"description":712,"author":713,"img":714,"carousel":715,"tags":723,"year":724,"location":725,"descriptions":726,"credits":730,"videos":744,"links":751,"body":755,"_type":62,"_id":759,"_source":64,"_file":760,"_extension":66},"/projects/never_enough","Never Enough","Solo mêlant danse, art numérique et musique électronique. Déplacement, identité et émancipation.","Cie Yadre","yadre/never_enough/main3",[716,717,718,719,720,721,722],"yadre/never_enough/main2","yadre/never_enough/sqlk9l1eoyzv0ynwa5ia","yadre/never_enough/taqxkmoycrbyp5tx7rop","yadre/never_enough/yytcayizxwf6hkcoyxjr","yadre/never_enough/main","yadre/never_enough/f6aktvibu04zaphrhv2l","yadre/never_enough/ta3uxi2sxkl0djujjjxq",[21],2025,"L'Onde, Vélizy-Villacoublay",{"en":727,"fr":728,"zh":729},"Never Enough is a solo premiered in November 2025 at Théâtre de l'Onde. It is a dance performance that delves into the themes of displacement and the search for identity, blending contemporary dance, digital art, and electronic music. Inspired by the personal experiences of Taiwanese dancer Shihya Peng, this project traces her journey from classical and traditional Chinese dance to contemporary dance, discovered in the West. This artistic journey reflects her desire for emancipation from traditions and her quest for freedom. Over time, a longing for her homeland emerged, heightened by family events and geopolitical changes with China, giving rise to this deeply intimate work.","Never Enough est un solo créé en novembre 2025 au Théâtre de l'Onde. Cette pièce explore les thèmes du déplacement et de la quête d'identité, mêlant danse contemporaine, art numérique et musique électronique. Inspiré par le parcours personnel de la danseuse taïwanaise Shihya Peng, ce projet retrace son cheminement de la danse classique et traditionnelle chinoise vers la danse contemporaine, découverte en Occident. Ce voyage artistique reflète son désir d'émancipation des traditions et sa quête de liberté. Au fil du temps, une nostalgie pour son pays natal a émergé, intensifiée par des événements familiaux et les changements géopolitiques avec la Chine, donnant naissance à cette œuvre profondément intime.","《Never Enough》是一支獨舞作品，於 2025 年 11 月在 L'Onde 劇院首演。這是一場融合當代舞蹈、數位藝術和電子音樂的舞蹈演出，深入探討遷移與身分認同的主題。受臺灣舞者彭世雅個人經歷的啟發，這個計畫追溯了她從中國古典與傳統舞蹈到在西方發現當代舞蹈的歷程。這段藝術旅程反映了她從傳統中解放的渴望與對自由的追尋。隨著時間推移，對家鄉的思念逐漸浮現，因家庭事件和與中國之間的地緣政治變遷而加劇，催生了這部深刻而私密的作品。",[731,733,734,736,738,740,742],{"role":32,"name":732},"Shihya Peng",{"role":44,"name":45},{"role":41,"name":735},"Guillaume Giraudo",{"role":440,"name":737},"Chun-Yuan Li",{"role":96,"name":739},"Manon Martin, River Lin",{"role":53,"name":741},"L'Onde Théâtre Centre d'Art",{"role":580,"name":743},"CN D Centre National de la danse (Pantin), La Ménagerie de verre (Paris), La Ferme du Buisson - scène nationale (Noisiel), Atelier de Paris – CDCN (StudioD Émergence 2025)",[745,747,749],{"id":746,"platform":183},"kqtFeVLg6NA",{"id":748,"platform":183},"c2UxiuoBh1U",{"id":750,"platform":183},"Bc9ScwDQlG8",[752,753,754],"https://yadre.org","https://coupsdoeil.fr/2025/11/shihya-peng-alexandre-bouvier-never-enough-entretien/","https://avoiretadanser.fr/shihya-peng-et-federica-miani-au-festival-immersion-danse-au-theatre-de-londe/",{"type":57,"children":756,"toc":757},[],{"title":8,"searchDepth":60,"depth":60,"links":758},[],"content:projects:never_enough.md","projects/never_enough.md",{"_path":762,"_dir":6,"_draft":7,"_partial":7,"_locale":8,"_empty":9,"title":763,"description":764,"author":219,"date":765,"img":766,"carousel":767,"tags":771,"year":196,"location":325,"links":772,"descriptions":774,"credits":778,"videos":782,"body":785,"_type":62,"_id":789,"_source":64,"_file":790,"_extension":66},"/projects/opium","Opium","Spectacle immersif dans un dôme lumineux à 360° au festival Wonderfruit. Son et lumière synchronisés, Visual System.","12 - 16 December 2019","alexbouvier/opium/main",[768,769,770],"alexbouvier/opium/spdjjam1gufukqyoms0p","alexbouvier/opium/ae0ma6hecqicla2coxxs","alexbouvier/opium/ru8n4jnminn6kqkmu3p0",[198],[323,773],"https://visualsystem.org/project/opium-polygonlive-wonderfruitfestival",{"en":775,"fr":776,"zh":777},"For the third year, Polygon Live has invited us to create a futuristic art piece and create a new world for the unique 360 degree dome stage.\n\nWhen night falls at Wonderfruit, a ten minute synchronised sound and light show called “Opium” will descend, moving emotions in a hypnotic reveal using space and echo. This is a collaborative project between the two talented composers Thomas Vaquié & Alexandre Bouvier and us.","Pour la troisième année, Polygon Live nous a invités à créer une œuvre d'art futuriste et à concevoir un nouveau monde pour la scène unique en dôme à 360 degrés.\n\nÀ la tombée de la nuit à Wonderfruit, un spectacle synchronisé de son et lumière de dix minutes intitulé \"Opium\" se déploie, suscitant l'émotion dans une révélation hypnotique qui joue avec l'espace et l'écho. Un projet collaboratif entre les compositeurs Thomas Vaquié et Alex Bouvier et Visual System.","Polygon Live 連續第三年邀請我們創作一件未來主義藝術作品，在獨特的 360 度穹頂舞台上打造一個嶄新世界。\n\n當 Wonderfruit 音樂節夜幕降臨，一場名為「Opium」的十分鐘聲光同步演出隨之展開，以催眠般的揭示方式喚起情感，運用空間與迴響。這是兩位才華洋溢的作曲家 Thomas Vaquié 和 Alexandre Bouvier 與我們的合作項目。",[779,780,781],{"role":332,"name":219},{"role":44,"name":404},{"role":50,"name":336},[783],{"id":784,"platform":208},386521700,{"type":57,"children":786,"toc":787},[],{"title":8,"searchDepth":60,"depth":60,"links":788},[],"content:projects:opium.md","projects/opium.md",{"_path":792,"_dir":6,"_draft":7,"_partial":7,"_locale":8,"_empty":9,"title":793,"description":794,"author":219,"link":795,"img":796,"carousel":797,"year":258,"location":800,"tags":801,"descriptions":802,"credits":806,"videos":809,"soundcloud":812,"body":813,"_type":62,"_id":817,"_source":64,"_file":818,"_extension":66},"/projects/panache","Panache","Audio-reactive light creation for Panache tower inauguration. Sounds and colors run through this singular architecture to reveal it in a new poetic space, in translation into an other urban feeling. At night time, the building enters in the field of cybernetic-city concept and blurs all the benchmarks of common city imaginary.","https://visualsystem.org/project/panache","alexbouvier/panache/main",[798,799],"alexbouvier/panache/j1ketvjnvyqlkdywvvdf","alexbouvier/panache/aovxqqjojnwhvhu6sqgl","Grenoble, France",[198],{"en":803,"fr":804,"zh":805},"Audio-reactive light creation for the inauguration of the Panache tower. Sounds and colors flow through this singular architecture, revealing it as a new poetic space that translates into a different urban sensation. At nightfall, the building enters the realm of the cybernetic-city concept and blurs the landmarks of the common urban imaginary.","Création lumineuse audio-réactive pour l'inauguration de la tour Panache. Les sons et les couleurs traversent cette architecture singulière pour la révéler dans un nouvel espace poétique, traduisant un autre ressenti urbain. À la tombée de la nuit, le bâtiment s'inscrit dans le concept de ville cybernétique et brouille tous les repères de l'imaginaire urbain commun.","為 Panache 大樓落成典禮所創作的聲光互動裝置。聲音與色彩流動穿梭於這座獨特的建築之中，將其呈現為一個嶄新的詩意空間，轉化為另一種都市感受。夜幕降臨時，建築進入控制城市的概念領域，模糊了人們對尋常都市意象的所有認知座標。",[807,808],{"role":332,"name":219},{"role":44,"name":45},[810],{"id":811,"platform":208},328452110,"https://api.soundcloud.com/tracks/1321430938?secret_token=s-Jc0bfJ51bXM",{"type":57,"children":814,"toc":815},[],{"title":8,"searchDepth":60,"depth":60,"links":816},[],"content:projects:panache.md","projects/panache.md",{"_path":820,"_dir":6,"_draft":7,"_partial":7,"_locale":8,"_empty":9,"title":821,"description":822,"author":823,"img":824,"carousel":825,"year":16,"tags":830,"links":831,"descriptions":834,"credits":838,"videos":842,"body":845,"_type":62,"_id":849,"_source":64,"_file":850,"_extension":66},"/projects/pavillon","Pavillon","Architecture ouverte lumineuse et sonore par Sébastien Lefèvre. Tissage de cordons éclairants dans l'espace.","Sebastien Lefevre","alexbouvier/pavillon/main",[826,827,828,829],"alexbouvier/pavillon/mi66slbfiud5bxdz2mtu","alexbouvier/pavillon/i3w6ohyqzxtyvomk9ngl","alexbouvier/pavillon/zjnjvmmcflnbajhfcl4z","alexbouvier/pavillon/ogkrer8wzxj54ib5adqd",[198],[832,833],"http://sebastienlefevre.com/2018/03/pavillon.html","https://www.fetedeslumieres.lyon.fr/fr/oeuvre/pavillon",{"en":835,"fr":836,"zh":837},"Both a light and sound artwork, Pavillon is an open architecture, a beacon, that welcomes the public within its embrace. It is a living, inviting space.\n\nA weave of illuminated cords, suspended in the air, hangs over the visitors like a luminous canopy. The light and dynamic volume is immersed in a sound universe composed for the installation by the duo Yes Soeur (Alexandre Bouvier and Grégoire Simon), with percussion and cello performed by Anil Eraslan...","À la fois œuvre lumineuse et sonore, Pavillon est une architecture ouverte, un phare, qui accueille le public en son sein. C’est un espace vivant et accueillant.\n\nUn tissage de cordons éclairants, suspendu dans les airs, surplombe les visiteurs telle une canopée lumineuse. Le volume, léger et dynamique, est baigné dans un univers sonore composé pour l’installation par le duo Yes Soeur (Alex Bouvier et Grégoire Simon). Les percussions et le violoncelle ont été interprétés par Anil Eraslan...","既是光的藝術作品，也是聲音的藝術作品，《Pavillon》是一座開放式建築、一座燈塔，將觀眾迎入其懷抱之中。它是一個充滿生命力且溫暖的空間。\n\n懸掛在空中的發光繩索編織，如同一頂光之華蓋般覆蓋著參觀者。這個輕盈而富有動態感的量體，沉浸在由 Yes Soeur 雙人組（Alexandre Bouvier 和 Grégoire Simon）為此裝置所創作的聲音宇宙之中，打擊樂與大提琴由 Anil Eraslan 演奏⋯⋯",[839,840],{"role":332,"name":136},{"role":44,"name":841},"Alexandre Bouvier, Gregoire Simon (Yes Soeur!)",[843],{"id":844,"platform":208},332852419,{"type":57,"children":846,"toc":847},[],{"title":8,"searchDepth":60,"depth":60,"links":848},[],"content:projects:pavillon.md","projects/pavillon.md",{"_path":852,"_dir":6,"_draft":7,"_partial":7,"_locale":8,"_empty":9,"title":853,"description":854,"author":855,"link":856,"img":857,"carousel":858,"year":557,"location":861,"tags":862,"descriptions":863,"credits":867,"videos":885,"body":888,"_type":62,"_id":892,"_source":64,"_file":893,"_extension":66},"/projects/progression","Progression","Performance mêlant danse et art numérique autour de la marche. Perception de l'environnement contemporain.","Mathieu Merlet Briand - Gaëtan Brun-Picard","https://mathieumerletbriand.studio/Progression","alexbouvier/progression/main",[859,860],"alexbouvier/progression/jlyk0dtlndbzaqdtc0dz","alexbouvier/progression/b5r6dobctr7fzyxpp1nh","Nanterre, France",[466],{"en":864,"fr":865,"zh":866},"Progression stems from a reflection on the perception of our contemporary environment. Through a study centered on walking as the first act and initial movement, a landscape in interference between the real and the virtual emerges. In this setting, a person walks, moving forward while grappling with the perspectives of constant progress. At the intersection of two spaces, between the natural and the digital, another reality takes shape, ambivalent, a digital materiality.","Progression est issu d’une réflexion sur la perception de notre environnement contemporain. Au travers d’une étude autour de la marche pensée comme premier acte et premier mouvement, un paysage en interférence entre réel et virtuel se compose. Dans ce milieu, l’homme marche, avance en prise avec les perspectives d’un progrès en constante expansion. À la croisée de deux espaces, entre naturel et digital, une autre réalité se compose, ambivalente, une matérialité numérique.","《Progression》源自對我們當代環境感知的反思。透過一項以行走作為第一個行為和第一個動作的研究，一幅在真實與虛擬之間干擾交疊的風景由此構成。在這個環境中，人行走著、前進著，與不斷擴張的進步前景角力。在兩個空間的交匯處——自然與數位之間——另一種現實成形，充滿矛盾，一種數位的物質性。",[868,871,872,874,875,877,880,883],{"role":869,"name":870},"conception","Mathieu Merlet Briand",{"role":32,"name":84},{"role":35,"name":873},"Inés Hernández, Raffaella Gardon, Tatanka Gombaud, Mai Ishiwata",{"role":44,"name":133},{"role":91,"name":876},"Lucie Calise",{"role":878,"name":879},"assistant_photo_et_video","Kiana Hubert Low, Thomas Vauthier",{"role":881,"name":882},"assistant_communication","Pauline Cormault, Juliette Ouvry",{"role":580,"name":884},"La Ferme du Bonheur, Point FMR",[886],{"id":887,"platform":208},136598344,{"type":57,"children":889,"toc":890},[],{"title":8,"searchDepth":60,"depth":60,"links":891},[],"content:projects:progression.md","projects/progression.md",{"_path":895,"_dir":6,"_draft":7,"_partial":7,"_locale":8,"_empty":9,"title":896,"description":897,"author":420,"img":898,"carousel":899,"tags":902,"year":16,"links":903,"descriptions":905,"credits":909,"videos":925,"soundcloud":928,"body":929,"_type":62,"_id":933,"_source":64,"_file":934,"_extension":66},"/projects/quintette","Quintette","Pièce de Jann Gallois sur la capacité à vivre ensemble. Cinq danseurs entre union et séparation.","alexbouvier/quintette/main",[900,901],"alexbouvier/quintette/x01dwiokftx7krzbiiuq","alexbouvier/quintette/wchqbnsaafxlpofpgmvi",[21],[904],"https://www.cieburnout.com/en/works/quintette",{"en":906,"zh":907,"fr":908},"Following on from Compact, Jann Gallois questions our capacity to live together in peace in Quintette. Whether it is within a group or on the scale of nations, union and separation seem to obey an unending cycle. Ruled by a score of extreme precision, Jann crosses choreographic and mathematical research with the goal of exploring the mechanism of union and disunion with five bodies. She does this because dance for Jann Gallois is above all seen music, a song of visual and graphic bodies.","延續《Compact》的脈絡，Jann Gallois 在《Quintette》中探問我們和平共處的能力。無論是在一個群體之中，或是在國家的尺度上，結合與分離似乎遵循著一個無盡的循環。在一部極度精確的樂譜引導下，Jann 將編舞研究與數學研究交織，目的是以五個身體探索結合與分裂的機制。她這樣做，是因為對 Jann Gallois 而言，舞蹈首先是可見的音樂，是視覺與圖像化身體的歌唱。","Dans la continuité de Compact, Jann Gallois interroge notre capacité à vivre ensemble en paix dans Quintette. Que ce soit au sein d'un groupe ou à l'échelle des nations, l'union et la séparation semblent obéir à un cycle sans fin. Régie par une partition d'une extrême précision, Jann croise recherche chorégraphique et mathématique dans le but d'explorer le mécanisme de l'union et de la désunion avec cinq corps. Elle le fait parce que la danse, pour Jann Gallois, est avant tout de la musique visible, un chant de corps visuels et graphiques.",[910,912,914,915,916,918,920,922,923],{"role":911,"name":420},"choreography_and_direction",{"role":35,"name":913},"Jann Gallois, Erik Lobelius, Charlotte Louvel, Amaury Réot and Aure Wachter",{"role":44,"name":568},{"role":41,"name":438},{"role":917,"name":45},"video_mapping",{"role":919,"name":441},"costume_design",{"role":96,"name":921},"Frédéric Le Van",{"role":50,"name":443},{"role":53,"name":924},"Chaillot – Théâtre National de la Danse • Le Théâtre de Rungis • Ballet de l’Opéra national du Rhin – Centre Chorégraphique National / Mulhouse dans le cadre du dispositif Accueil Studio 2017 • Festival de danse de Cannes • CDCN Atelier de Paris – Carolyn Carlson • CDCN POLE-SUD – Strasbourg dans le cadre de l’Accueil Studio • Centre Chorégraphique National de Créteil et du Val-de-Marne / Compagnie Käfig direction Mourad Merzouki dans le cadre de l’Accueil Studio • CDCN Les Hivernales dans le cadre de l’Accueil Studio • Théâtre Louis Aragon, scène conventionnée pour la danse de Tremblay-en-France • La Briqueterie / CDCN du Val-de-Marne • Escales danse en Val d’Oise • Théâtre de Suresnes Jean Vilar / Suresnes Cités Danse 2018 • Théâtre des 2 Rives de Charenton-le-Pont • Réseau CREAT’YVE – Réseau des théâtres de villes des Yvelines • Le Prisme – Centre de développement artistique de Saint-Quentin-en-Yvelines • Centre de la Danse Pierre Doussaint, Les Mureaux – Communauté urbaine Grand Paris Seine et Oise • Collectif 12 • Département de la Seine-Saint-Denis",[926],{"id":927,"platform":183},"qE_bOVPPKF8","https://api.soundcloud.com/playlists/1482888202?secret_token=s-9NAGNXqVAy3",{"type":57,"children":930,"toc":931},[],{"title":8,"searchDepth":60,"depth":60,"links":932},[],"content:projects:quintette.md","projects/quintette.md",{"_path":936,"_dir":6,"_draft":7,"_partial":7,"_locale":8,"_empty":9,"title":937,"description":938,"author":713,"img":939,"carousel":940,"links":951,"tags":953,"year":391,"location":954,"descriptions":955,"credits":959,"videos":964,"soundcloud":967,"quote":968,"body":969,"_type":62,"_id":973,"_source":64,"_file":974,"_extension":66},"/projects/raindrops","Rain.Drops","Pièce chorégraphique sur la contestation sociale et l'engagement collectif. Université de Taipei, Taïwan.","yadre/rain_drops/igelsfkwvvgefuyh8zsa",[941,942,943,944,945,946,947,948,949,950],"yadre/rain_drops/ckoasrsccv7dtgxhnl5p","yadre/rain_drops/mbvk3v5wwcfxc1milzxw","yadre/rain_drops/heb7czq3tiq935jgtewx","yadre/rain_drops/e57bi5qj7u4pfkpb7apc","yadre/rain_drops/d1oobdc5xnpmvdw6eaga","yadre/rain_drops/unffpk13bx1wkjgygcwf","yadre/rain_drops/vtb2rc3doq7yru5chwjj","yadre/rain_drops/qs7h9k8u3lqghpbsllj2","yadre/rain_drops/ct9nohbfg04cisclpukr","yadre/rain_drops/stdme9kilybj3paubboj",[752,952],"https://pengshihya.wixsite.com/shihyadanse/general-8",[21],"Université de Taipei, Taïwan",{"en":956,"fr":957,"zh":958},"\"RainDrops\" is a choreographic piece created in Taiwan for students of the University of Taipei. Inspired by social protest movements in France, this piece explores how a people can rise up by becoming aware of collective issues. The mantra of the piece, \"If tears can be seen as raindrops, wherein lies the tragedy,\" invites personal introspection necessary to serve the collective. How can the body and dance activate us to become determined individuals ready to mobilize and fight together against a deviant authority? The piece encourages each spectator to find their own answers and to engage actively for the common good.","\"RainDrops\" est une pièce chorégraphique créée à Taïwan pour les étudiants de l'Université de Taipei. Inspirée par les mouvements de contestation sociale en France, cette pièce explore comment un peuple peut se soulever en prenant conscience des enjeux collectifs. Le mantra de la pièce, \"Si les larmes peuvent être vues comme des gouttes de pluie, où réside la tragédie\", invite à une introspection personnelle nécessaire pour servir le collectif. Comment le corps et la danse peuvent-ils nous activer pour devenir des individus déterminés, prêts à se mobiliser et à lutter ensemble contre une autorité déviante ? La pièce encourage chaque spectateur à trouver ses propres réponses et à s'engager activement pour le bien commun.","《RainDrops》是在臺灣為臺北市立大學學生創作的編舞作品。受法國社會抗議運動的啟發，這件作品探索一個民族如何透過意識到集體議題而奮起。作品的箴言「如果眼淚可以被視為雨滴，那麼悲劇在哪裡」，邀請我們進行服務集體所必需的個人內省。身體和舞蹈如何能啟動我們，成為堅定的個體，準備好動員起來，共同對抗一個偏離正軌的權力？作品鼓勵每位觀眾找到自己的答案，積極投入共同的善。",[960,961,962],{"role":32,"name":732},{"role":44,"name":45},{"role":35,"name":963},"Étudiants de l'Université de Taipei - Taïwan",[965],{"id":966,"platform":183},"RwCP8fF2hXA","https://api.soundcloud.com/playlists/1482874390?secret_token=s-wMbMznp8aCT","It's raining hard.\nI take care of you, you take care of me.\nWe are walking side by side,\nwith the heavy rain like that.",{"type":57,"children":970,"toc":971},[],{"title":8,"searchDepth":60,"depth":60,"links":972},[],"content:projects:raindrops.md","projects/raindrops.md",{"_path":976,"_dir":6,"_draft":7,"_partial":7,"_locale":8,"_empty":9,"title":977,"description":978,"author":979,"img":980,"carousel":981,"tags":990,"year":258,"descriptions":991,"credits":995,"videos":1007,"soundcloud":1010,"body":1011,"_type":62,"_id":1015,"_source":64,"_file":1016,"_extension":66},"/projects/sainte_adresse","Sainte Adresse","Court-métrage de Mike Sens sur la canonisation d'une actrice.","Mike Sens","alexbouvier/sainte_adresse/main",[982,983,984,985,986,987,988,989],"alexbouvier/sainte_adresse/lo5xwvvnb2vsfos6cdts","alexbouvier/sainte_adresse/p8on6lmjkjzxgqtvth87","alexbouvier/sainte_adresse/xr7g5a8gyqjjsgb21sld","alexbouvier/sainte_adresse/csx2dtrcokxutyeonobk","alexbouvier/sainte_adresse/kk1axkc6tgn4gezhdx50","alexbouvier/sainte_adresse/kydd2d1bowezwzs0ywf5","alexbouvier/sainte_adresse/koyfkm4gkxicrfuauy83","alexbouvier/sainte_adresse/u1m4ozbmyflh6mjsgsdr",[535],{"en":992,"fr":993,"zh":994},"Short film by Mike Sens. The canonization of an actress — a cinematic portrait where fiction and ritual intertwine, with original music by Alexandre Bouvier. Produced by NWT & Sciapode.","Court-métrage de Mike Sens. La canonisation d'une actrice — un portrait cinématographique où fiction et rituel s'entremêlent, avec une musique originale d'Alexandre Bouvier. Produit par NWT & Sciapode.","Mike Sens 執導的短片。一位女演員的封聖——一幅虛構與儀式交織的電影肖像，配以 Alexandre Bouvier 的原創音樂。由 NWT & Sciapode 製作。",[996,998,1001,1004,1005],{"role":997,"name":979},"film_director",{"role":999,"name":1000},"actress","Florence Janas",{"role":1002,"name":1003},"editing","David Dusa",{"role":44,"name":45},{"role":50,"name":1006},"NWT & Sciapode",[1008],{"id":1009,"platform":208},810813814,"https://api.soundcloud.com/playlists/1483094404?secret_token=s-ES80iX4QpmU",{"type":57,"children":1012,"toc":1013},[],{"title":8,"searchDepth":60,"depth":60,"links":1014},[],"content:projects:sainte_adresse.md","projects/sainte_adresse.md",{"_path":1018,"_dir":6,"_draft":7,"_partial":7,"_locale":8,"_empty":9,"title":1019,"description":1020,"author":530,"img":1021,"carousel":1022,"tags":1026,"year":488,"descriptions":1027,"credits":1031,"videos":1058,"soundcloud":1061,"body":1062,"_type":62,"_id":1066,"_source":64,"_file":1067,"_extension":66},"/projects/school_of_moon","School Of Moon","Pièce chorégraphique mêlant corps enfantins et robots. Réflexion sur l'humain, de la préhistoire au futur.","alexbouvier/school_of_moon/main",[1023,1024,1025],"alexbouvier/school_of_moon/pbe7np2mcx2hr5yh2qjv","alexbouvier/school_of_moon/ljfg75zhbtrtgsp5zmja","alexbouvier/school_of_moon/m91bntcc2gd05onx7qbw",[21],{"en":1028,"fr":1029,"zh":1030},"On stage, a striking community blending childlike bodies and robotic forms challenges our perception of humanity and its representation, from the first cave paintings to humanoid robots, including Da Vinci's anatomical studies, Michelangelo's Pietàs, and the corps de ballet. Three eras inspired by living tableaux unfold this dual dramaturgy of a compassionate community and its image, questioning the spectator's empathy.\n\nAs technical and technological evolution has accompanied our self-awareness and humanity, the children and robots dance and evoke this creative gesture: representing humanity.\n\nSchool of Moon was born from the encounter between Eric MCC and roboticist Thomas Peyruse, who works with the Poppy robotic platform from the INRIA Bordeaux laboratory (Flowers team), which has been passionately researching humanoid robots and developing their capabilities for imitation and generation of human movement for years.\n\nSchool of Moon is also the third part of a series of works involving children, following the choreographic piece lil’dragon (2011) and the short film and installation Kid Birds, referencing the work of Merce Cunningham (2014).\n\nChoreographer Eric Minh Cuong Castaing questions the representations and perceptions of the body in the age of new technologies, exploring dual concepts such as reality and fiction, artificial and natural/organic.","Sur scène, une communauté troublante mêlant corps enfantins et corps robotiques questionne notre perception de l’humain et sa représentation, des premières peintures rupestres au robot humanoïde, en passant par l’écorché de Vinci, les pietà de Michel-Ange ou le corps de ballet. Trois ères inspirées des tableaux vivants déploient cette double dramaturgie d’une communauté compassionnelle et de son image, interrogeant l’empathie du spectateur.\n\nAlors que l’évolution technique et technologique a accompagné la conscientisation de nous même et de notre humanité, les enfants et les robots dansent et évoquent ce geste créateur : représenter l’homme.\n\nSchool of Moon est né de la rencontre entre Eric MCC et le roboticien Thomas Peyruse, qui travaille avec la plateforme robotique Poppy du laboratoire INRIA de Bordeaux (équipe Flowers), qui mène avec passion depuis des années des recherches sur les robots humanoïdes et le développement de leurs capacités d’imitation et génération du mouvement humain.\n\nSchool of Moon est par ailleurs le troisième volet d’une série d’œuvres faisant appel à des enfants, suite à la pièce chorégraphique lil’dragon (2011) et au court-métrage et à l’installation Kid Birds, faisant référence au travail de Merce Cunningham (2014).\nLe chorégraphe Eric Minh Cuong Castaing questionne les représentations et les perceptions du corps à l’heure des nouvelles technologies, interrogeant des notions duales telles le réel et la fiction, l’artificiel et le naturel / l’organique.","舞台上，一個由孩童身體與機器人形態交融而成的奇異群體，挑戰著我們對人性及其表現方式的認知——從最早的洞穴壁畫到人形機器人，包括達文西的解剖研究、米開朗基羅的聖殤像，以及芭蕾群舞。三個靈感來自活人畫的時代，展開了這齣關於一個富有同理心的群體及其形象的雙重戲劇性敘事，叩問著觀眾的共情能力。\n\n當技術與科技的演進伴隨著我們對自身和人性的覺醒時，孩子們和機器人一起舞蹈，喚起這個創造性的姿態：表現人類。\n\n《School of Moon》誕生於 Eric MCC 與機器人學家 Thomas Peyruse 的相遇。Thomas 使用來自 INRIA 波爾多實驗室（Flowers 團隊）的 Poppy 機器人平台，該團隊多年來熱情投入於人形機器人的研究，以及開發其模仿和生成人類動作的能力。\n\n《School of Moon》也是一系列邀請兒童參與的作品中的第三部，繼編舞作品《lil’dragon》（2011）和短片及裝置《Kid Birds》之後——後者參照了 Merce Cunningham 的創作（2014）。\n\n編舞家 Eric Minh Cuong Castaing 在新科技時代審視身體的表現與感知，探索真實與虛構、人工與自然／有機等雙重概念。",[1032,1035,1037,1040,1043,1046,1048,1051,1052,1054,1057],{"role":1033,"name":1034},"conception_choreography","Eric Minh Cuong Castaing in close cooperation with the dancers Ana Pi, Gaétan Brun Picard, assistant choreographe",{"role":35,"name":1036},"Ana Pi, Gaétan Brun Picard, les élèves de la classe CM2A de l’école du Parc Bellevue et des élèves du cycle 1 de l’ENSDM",{"role":1038,"name":1039},"poppy_robotics","Thomas Peyruse",{"role":1041,"name":1042},"nao_robotics","Aurélien Conil",{"role":1044,"name":1045},"original_soundtrack","Grégoire Simon & Alexandre Bouvier",{"role":1047,"name":136},"lighting",{"role":1049,"name":1050},"set_design","Grégoire Faucheux",{"role":38,"name":641},{"role":150,"name":1053},"Pauline Simon, Béatrice Mille, Alessandro Scarrioni",{"role":1055,"name":1056},"makeup_creation","Emilie Bach, Eric Minh Cuong Castaing",{"role":50,"name":530},[1059],{"id":1060,"platform":208},150567383,"https://api.soundcloud.com/playlists/1483072174?secret_token=s-SuefLJWttM3",{"type":57,"children":1063,"toc":1064},[],{"title":8,"searchDepth":60,"depth":60,"links":1065},[],"content:projects:school_of_moon.md","projects/school_of_moon.md",{"_path":1069,"_dir":6,"_draft":7,"_partial":7,"_locale":8,"_empty":9,"title":1070,"description":1071,"author":530,"img":1072,"carousel":1073,"tags":1075,"year":16,"links":1076,"descriptions":1080,"credits":1084,"videos":1102,"body":1106,"_type":62,"_id":1110,"_source":64,"_file":1111,"_extension":66},"/projects/sous_influence","Sous Influence","Clubbing techno épidémique et transgénérationnel par Shonen. Performance participative ouverte à tous.","alexbouvier/sous_influence/main",[1074],"alexbouvier/sous_influence/c4buqarg0sqfnxpgey1g",[466],[1077,1078,1079],"https://www.shonen.info/sousinfluence","https://www.festivaldemarseille.com/fr/sous-influence_6","https://www.dansfabrik.com/Sous-influence.html",{"en":1081,"zh":1082,"fr":1083},"Epidemic Clubbing\n\nInitiated in Marseille on the rooftop terrace of La Friche Belle-de-Mai in August 2017, and later at Nuit Blanche 2018 in a school courtyard, Sous Influence is an epidemic, transgenerational techno clubbing event open to all. This choreographed dance, both epidermic and epidemic, is fueled by hundreds of amateur participants guided by professional dancers.\n\nThis peculiar community is governed by unconventional and uninhibited rules, which visitors must adopt. Reacting to color codes, after ten hours of workshops, bodies of all ages scream, convulse, create slow and colorful collective landscapes, soar, support, exult, allow themselves and invite others to join them in this collective trance.\n\nSous Influence was designed to reimagine social and architectural spaces and can be adapted to various venues (museum, school...) and contexts (experimental music festival, public space...).","流行性狂歡\n\n2017 年 8 月在馬賽 La Friche Belle-de-Mai 的屋頂露台啟動，隨後在 2018 年白夜藝術節中於一所高中的庭院上演，《Sous Influence》是一場流行性的、跨世代的鐵克諾狂歡派對，向所有人開放。這場編排過的舞會，兼具「表皮的」與「流行的」雙重意涵，由數百名在專業舞者引導下的業餘參與者共同激盪。\n\n這個奇特的社群受到非常規且毫無拘束的規則所支配，訪客需要自行體會。在色彩代碼的引導下，經過約十個小時的工作坊後，各年齡層的身體尖叫、痙攣、構築緩慢而色彩斑斕的集體風景、飛翔、互相支撐、歡欣鼓舞，允許自己並邀請他人加入這場集體的恍惚。\n\n《Sous Influence》的設計旨在重新想像社交與建築空間，可適應各種場地（美術館、學校⋯⋯）與情境（實驗音樂節、公共空間⋯⋯）。","Clubbing épidémique\n\nInitié à Marseille sur le toit-terrasse de La Friche Belle-de-Mai en août 2017, puis lors de Nuit Blanche 2018 dans la cour d’un lycée, Sous Influence est un clubbing techno épidémique et transgénérationnel ouvert à tous. Ce bal chorégraphié, épidermique et épidémique, est contaminé par des centaines d’amateurs complices accompagnés par des danseurs professionnels.\n\nCette étrange communauté est régie par des conventions décalées et désinhibées, qu’il s’agira, pour le visiteur, de s’approprier. Réagissant à des codes couleurs, suite à une dizaine d’heures d’ateliers, des corps de tous âges crient, convulsent, composent des paysages collectifs lents et bariolés, s’envolent ou supportent, exultent, s’autorisent et invitent les autres à les rejoindre dans cette transe collective.\n\nSous Influence a été pensé pour réinventer des espaces sociaux et architecturaux et peut s’inscrire dans différents lieux (musée, lycée…) et contextes (festival de musique expérimentale, espace public…).",[1085,1086,1088,1091,1094,1096,1097,1100],{"role":869,"name":12},{"role":32,"name":1087},"Eric Minh Cuong Castaing, avec Gaëtan Brun Picard",{"role":1089,"name":1090},"dj_set","Yes Soeur! Alexandre Bouvier et Grégoire Simon",{"role":1092,"name":1093},"intervenants","danseurs du Ballet National de Marseille (Friche Belle de Mai) Dalila Cortes, Anusha Emrith, Perrine Gont, John Fou, Nans Pierson (Nuit Blanche Paris)",{"role":38,"name":1095},"Marine Relinger",{"role":41,"name":136},{"role":1098,"name":1099},"video_capture_nuit_blanche","Victor Zébo",{"role":1101,"name":876},"coordination_nuit_blanche",[1103],{"url":1104,"platform":1105},"facebook.com/plugins/video.php?height=314&href=https%3A%2F%2Fwww.facebook.com%2FFestivaldeMarseille%2Fvideos%2F415905235923656%2F&show_text=false&t=0","facebook",{"type":57,"children":1107,"toc":1108},[],{"title":8,"searchDepth":60,"depth":60,"links":1109},[],"content:projects:sous_influence.md","projects/sous_influence.md",{"_path":1113,"_dir":6,"_draft":7,"_partial":7,"_locale":8,"_empty":9,"title":1114,"description":1115,"author":219,"img":1116,"carousel":1117,"year":1121,"links":1122,"tags":1124,"location":325,"descriptions":1125,"credits":1129,"videos":1133,"body":1136,"_type":62,"_id":1140,"_source":64,"_file":1141,"_extension":66},"/projects/sura","Sura","Installation immersive dans un dôme lumineux à 360° au festival Wonderfruit. Création Visual System.","alexbouvier/sura/main",[1118,1119,1120],"alexbouvier/sura/p85cvnd8d7k6vfnfmbsg","alexbouvier/sura/gtlkiwhcvtzhmdjiw8oh","alexbouvier/sura/fkb6wdssfxmklfrowxbx",2023,[1123,323],"https://visualsystem.org/project/polygon-sura",[198],{"en":1126,"fr":1127,"zh":1128},"Creating a new world, a different space within the unique Polygon Live stage designed for the festival - in the shape of a 360° dome - Visual System invites you to plunge into the magic of SURA.\n\nSURA, at the heart of this magical temple, creates a unique live performance in situ, inviting Wonderers to lose themselves in an infinite morphing of sound and vision.\n\nA spiral symbolizing universal rythm, SURA represents a dynamic, creative energy, similar to a whirlpool.\n\nSURA is a link between the Earth and supernatural forces, invoking the lunar cycle and its perpetual cycles of growth and decline.\n\nSURA embodies evolution and involution, reflecting reversible systems and the inherent alternation of life - day and night, good and evil, embracing the duality of human existence.","Créer un nouveau monde, un espace différent au sein de la scène unique Polygon Live conçue pour le festival - en forme de dôme à 360° - Visual System vous invite à plonger dans la magie de SURA.\n\nSURA, au cœur de ce temple magique, crée une performance live unique in situ, invitant les Wonderers à se perdre dans une morphose infinie de sons et de visions.\n\nSymbole de rythme universel, SURA représente une énergie dynamique et créative, semblable à un tourbillon.\n\nSURA est un lien entre la Terre et les forces surnaturelles, invoquant le cycle lunaire et ses cycles perpétuels de croissance et de déclin.\n\nSURA incarne l'évolution et l'involution, reflétant des systèmes réversibles et l'alternance inhérente de la vie - jour et nuit, bien et mal, embrassant la dualité de l'existence humaine.","在為音樂節設計的獨特 Polygon Live 360 度穹頂舞台中，創造一個嶄新世界、一個不同的空間——Visual System 邀請您沉浸於 SURA 的魔力之中。\n\nSURA，在這座魔幻神殿的核心，創造了一場獨特的現場即地演出，邀請 Wonderers 迷失於聲音與視覺的無盡形變之中。\n\n一個象徵宇宙韻律的螺旋，SURA 代表了一種動態的、創造性的能量，猶如一個漩渦。\n\nSURA 是地球與超自然力量之間的連結，召喚月亮的週期及其永恆的盈虧循環。\n\nSURA 體現了演化與內卷，映射可逆系統以及生命固有的交替——日與夜、善與惡，擁抱人類存在的二元性。",[1130,1131,1132],{"role":332,"name":219},{"role":44,"name":404},{"role":50,"name":336},[1134],{"id":1135,"platform":183},"DoSRPoxZ6pk",{"type":57,"children":1137,"toc":1138},[],{"title":8,"searchDepth":60,"depth":60,"links":1139},[],"content:projects:sura.md","projects/sura.md",{"_path":1143,"_dir":6,"_draft":7,"_partial":7,"_locale":8,"_empty":9,"title":1144,"description":1145,"author":219,"img":1146,"carousel":1147,"year":16,"tags":1150,"descriptions":1151,"links":1155,"videos":1157,"soundcloud":1160,"body":1161,"_type":62,"_id":1165,"_source":64,"_file":1166,"_extension":66},"/projects/tango_league","Tango League","Installation interactive pour Adidas Tango League. Création visuelle et sonore par Visual System.","alexbouvier/tango_league/main",[1148,1149],"alexbouvier/tango_league/mnqfewbzevx6uslggurd","alexbouvier/tango_league/nryixwsxbuexx3pl8xkn",[229],{"en":1152,"fr":1153,"zh":1154},"Interactive installation for Adidas Tango League. Visual and sound creation by Visual System, where the energy of street football is amplified through reactive projections and generative sound design.","Installation interactive pour Adidas Tango League. Création visuelle et sonore par Visual System, où l'énergie du football de rue est amplifiée par des projections réactives et un design sonore génératif.","為 Adidas Tango League 打造的互動裝置。由 Visual System 進行視覺與聲音創作，街頭足球的能量透過互動投影與生成式聲音設計得到放大。",[1156],"https://www.weareyoung-agency.com/projects/adidas-tango-league-saison-2/",[1158],{"id":1159,"platform":208},236743860,"https://api.soundcloud.com/tracks/1323717667?secret_token=s-5hjbVPWpyaZ",{"type":57,"children":1162,"toc":1163},[],{"title":8,"searchDepth":60,"depth":60,"links":1164},[],"content:projects:tango_league.md","projects/tango_league.md",{"_path":1168,"_dir":6,"_draft":7,"_partial":7,"_locale":8,"_empty":9,"title":1169,"description":1170,"author":1171,"img":1172,"carousel":1173,"links":1186,"location":600,"year":320,"tags":1190,"descriptions":1191,"credits":1195,"videos":1203,"soundcloud":1206,"body":1207,"_type":62,"_id":1211,"_source":64,"_file":1212,"_extension":66},"/projects/telos","Telos","Film de danse. Une femme somnambule dans les ruines d'une ville, entre cauchemar et transe.","Atsuhiko Watanabe","alexbouvier/telos/main",[1174,1175,1176,1177,1178,1179,1180,1181,1182,1183,1184,1185],"alexbouvier/telos/ehbip7juzgv5etlsv6ya","alexbouvier/telos/rtmnfo0x15uyiwtofmyu","alexbouvier/telos/gr0mqmqmx9wl648oa4fd","alexbouvier/telos/it3hr70xjhdnvonoixkz","alexbouvier/telos/vims8gv0cz2vintml4py","alexbouvier/telos/b5ujiojgkgc1tklgej7t","alexbouvier/telos/im08ekohi6dlityrf3gv","alexbouvier/telos/gvvqe1dfiealbcanp6b1","alexbouvier/telos/ii6vgstccyo1xaiptzz5","alexbouvier/telos/ewi2fto7c38rdbwtfsts","alexbouvier/telos/m4ymkhowie3waqeloxvt","alexbouvier/telos/ajkhs9qkxlsnzvs0tyg5",[1187,1188,1189],"https://www.imdb.com/name/nm1924971","https://www.imdb.com/title/tt29928468/","https://b3festival.de/en/b3_festival/films/2023/telos",[535],{"en":1192,"fr":1193,"zh":1194},"A woman wanders like a sleepwalker in the ruins of a city. She is frightened as if being tormented by nightmares. However, she dances as if in a trance of a sweet memory. Then she whispers to the void, as if recalling the memory of a lost love. She is on the edge of madness, obsessed with death. The impulse of dance leads her to the theater of Telos, where she is driven into the endgame of her world.","Une femme erre comme une somnambule dans les ruines d'une ville. Elle est effrayée, comme si elle était tourmentée par des cauchemars. Pourtant, elle danse comme dans la transe d'un doux souvenir. Puis elle murmure dans le vide, comme pour rappeler la mémoire d'un amour perdu. Elle est au bord de la folie, obsédée par la mort. L'élan de la danse la conduit au théâtre de Telos, où elle est poussée dans l'ultime épreuve de son monde.","一名女子如夢遊般徘徊在城市的廢墟中。她心生恐懼，彷彿被噩夢所折磨。然而她又翩然起舞，彷彿沉浸在甜蜜記憶的恍惚中。接著她對著虛空低語，似乎在召喚一段失落的愛情記憶。她瀕臨瘋狂的邊緣，被死亡所纏繞。舞蹈的衝動將她引向 Telos 的劇場，在那裡她被推入她世界的終局。",[1196,1198,1199,1202],{"role":1197,"name":1171},"a_film_by",{"role":32,"name":732},{"role":1200,"name":1201},"cinematographer","Boris Carrete",{"role":44,"name":45},[1204],{"id":1205,"platform":208},856102679,"https://api.soundcloud.com/tracks/1548078973",{"type":57,"children":1208,"toc":1209},[],{"title":8,"searchDepth":60,"depth":60,"links":1210},[],"content:projects:telos.md","projects/telos.md",{"_path":1214,"_dir":6,"_draft":7,"_partial":7,"_locale":8,"_empty":9,"title":1215,"description":1216,"author":114,"img":1217,"carousel":1218,"links":1221,"tags":1224,"year":488,"location":1225,"descriptions":1226,"credits":1230,"videos":1244,"soundcloud":1247,"body":1248,"_type":62,"_id":1252,"_source":64,"_file":1253,"_extension":66},"/projects/turning_motion_sickness_version","TURNING - motion sickness version","Performance de danse inspirée des flux migratoires. Pratique tournante par Alessandro Sciarroni.","alexbouvier/turning_motion_sickness/main",[1219,1220],"alexbouvier/turning_motion_sickness/on6jhy787munuhqc6tkv","alexbouvier/turning_motion_sickness/ohr9oxejn01bvf82m0ip",[1222,1223],"https://www.theatredelaville-paris.com/en/spectacles/saison-2019-2020/danse/turning-motion-sickness-version-winterbranch","https://www.alessandrosciarroni.it/work/turning_motion-sickness-version/?lang=en",[21],"Lyon, France",{"en":1227,"zh":1228,"fr":1229},"During the experience of the project “Migrant Bodies”, between 2014 and 2015, the artist develops an idea for a new performative practice that is deeply germinal. Starting from the observation of the migration flows of some animals that at the end of their life return to spawn and die in their natal territory, the artist began working on the concept of “turning”. The English term is translated and represented on stage in a literal sense, through the action of the body rotating around its axis: the action develops into an emotional psycho-physical journey, a dance of duration, in the same way in which “turning” also means to evolve, to change.\n\nThe TURNING project is divided into different presentations and events that the artist calls “versions”. Each “version” involves different performers, as well as visual artists, musicians and designers, called by the artist to interpret the same action according to their own sensitivity – dramaturgically consistent with the title of the project: the materials and the physical scores are subject to a change, an evolution, a transformation, within each individual event.","在 2014 至 2015 年間「Migrant Bodies」計畫的體驗中，藝術家萌生了一個深具萌芽性的新表演實踐構想。從觀察某些動物在生命終末回到出生地產卵並死亡的遷徙流動出發，藝術家開始探索「旋轉」（turning）的概念。這個英文詞彙在舞台上以字面意義被翻譯和呈現——身體圍繞自身軸心旋轉的動作：這個動作發展為一場情感豐富的身心旅程，一支持續性的舞蹈，正如「turning」同時也意味著演變、改變。\n\nTURNING 計畫分為藝術家所稱的不同「版本」的呈現與活動。每個「版本」邀請不同的表演者，以及視覺藝術家、音樂家和設計師，由藝術家召集，按照各自的感性來詮釋同一動作——在戲劇構作上與計畫標題相呼應：素材與身體樂譜在每一次個別的活動中都經歷著變化、演進與轉化。","Pendant l'expérience du projet « Migrant Bodies », entre 2014 et 2015, l'artiste développe une idée pour une nouvelle pratique performative profondément germinative. En partant de l'observation des flux migratoires de certains animaux qui, à la fin de leur vie, retournent pondre et mourir dans leur territoire natal, l'artiste commence à travailler sur le concept de « tourner ». Le terme anglais est traduit et représenté sur scène au sens littéral, par l'action du corps tournant autour de son axe : l'action se développe en un voyage psycho-physique émotionnel, une danse de durée, de la même manière que « tourner » signifie également évoluer, changer.\n\nLe projet TURNING est divisé en différentes présentations et événements que l'artiste appelle « versions ». Chaque « version » implique différents interprètes, ainsi que des artistes visuels, des musiciens et des designers, invités par l'artiste à interpréter la même action selon leur propre sensibilité – en cohérence dramaturgique avec le titre du projet : les matériaux et les partitions physiques sont soumis à un changement, une évolution, une transformation, au sein de chaque événement individuel.",[1231,1232,1234,1236,1237,1238,1240,1242],{"role":32,"name":114},{"role":643,"name":1233},"Marta Ciappina & Elena Giannotti",{"role":44,"name":1235},"Alexandre Bouvier et Grégoire Simon (Yes Soeur!)",{"role":41,"name":136},{"role":653,"name":142},{"role":35,"name":1239},"Ballet de l'Opéra de Lyon : Kristina Bentz, Noëllie Conjeaud, Marie-Laetitia Diederichs, Tyler Galster, Ludovick Le Floc’h, Coralie Levieux, Marco Merenda, Albert Nikolli, Chiara Paperini, Roylan Ramos, Raúl Serrano Núnez",{"role":50,"name":1241},"Opéra de Lyon",{"role":53,"name":1243},"Biennale de la danse",[1245],{"id":1246,"platform":183},"DLGx_tvOhe8","https://api.soundcloud.com/playlists/1481156581?secret_token=s-hiPLgpEqYrM",{"type":57,"children":1249,"toc":1250},[],{"title":8,"searchDepth":60,"depth":60,"links":1251},[],"content:projects:turning_motion_sickness_version.md","projects/turning_motion_sickness_version.md",{"_path":1255,"_dir":6,"_draft":7,"_partial":7,"_locale":8,"_empty":9,"title":1256,"description":1257,"author":1258,"link":1259,"img":1260,"carousel":1261,"year":1263,"location":861,"tags":1264,"descriptions":1265,"credits":1269,"videos":1277,"soundcloud":1280,"body":1281,"_type":62,"_id":1285,"_source":64,"_file":1286,"_extension":66},"/projects/vibes","Vibes","Performance chorégraphique participative guidée par la voix. Circulation d'énergie et rencontre des corps.","Xavier Boissarie - Éric Minh Cuong Castaing","https://orbe.mobi/portfolios/vibes-europe-creative/","alexbouvier/vibes/main",[1262],"alexbouvier/vibes/m7dzxvgri5uhfncj02uc",2020,[466],{"en":1266,"fr":1267,"zh":1268},"Participants are welcomed by the choreographer's voice. After a phase of relaxation and readiness, the voice stimulates a circulation of energy in the body, and music accompanies the movements. Participants gradually synchronize to the same rhythm until reaching a climax. Now, the body has emancipated itself, undergone its transformation, and is ready to open its perception to others. The rhythm calms down. Gradually, the space narrows between the dancers who come into contact. The hand comes into play, scanning the nearby bodies. Each person is now ready for the encounter.","Les participants sont accueillis par la voix du chorégraphe. Après une phase de détente et de mise en disponibilité, la voix stimule une circulation de l’énergie dans le corps, la musique accompagne les mouvements. Les participants entrent progressivement dans la même pulsation jusqu’au paroxysme. À présent, le corps s’est émancipé, il a opéré sa mutation, il est prêt pour ouvrir sa perception aux autres. Le rythme s’apaise. Progressivement, l’espace se réduit entre les danseurs qui entrent en contact. La main entre en jeu, elle scanne les corps à proximité. Chacun est prêt pour la rencontre.","參與者由編舞家的聲音所迎接。經過一段放鬆與準備的階段後，聲音激發身體中能量的流動，音樂伴隨著動作。參與者逐漸同步進入相同的節律，直至高潮。此刻，身體已經解放自我，完成了蛻變，準備好向他人開啟感知。節奏趨於平靜。漸漸地，舞者之間的空間縮短，彼此開始接觸。手開始介入，掃描著附近的身體。每個人都已準備好迎接這場相遇。",[1270,1272,1275],{"role":32,"name":1271},"Éric Minh Cuong Castaing",{"role":1273,"name":1274},"digital_creation","Xavier Boissarie",{"role":44,"name":1276},"Alexandre Bouvier & Gregoire Simon (Yes Soeur!)",[1278],{"id":1279,"platform":183},"_Sua34X-u9o","https://api.soundcloud.com/tracks/1323675073?secret_token=s-7NfwYZY9G1l",{"type":57,"children":1282,"toc":1283},[],{"title":8,"searchDepth":60,"depth":60,"links":1284},[],"content:projects:vibes.md","projects/vibes.md",{"_path":1288,"_dir":6,"_draft":7,"_partial":7,"_locale":8,"_empty":9,"title":1289,"description":1290,"author":713,"img":1291,"carousel":1292,"tags":1303,"year":724,"location":1304,"descriptions":1305,"credits":1309,"links":1316,"videos":1317,"body":1320,"_type":62,"_id":1324,"_source":64,"_file":1325,"_extension":66},"/projects/will_you_believe_in_me","Will You Believe In Me ?","Pièce pour 5 danseurs sur les croyances, l'identité et l'émancipation. Créée à Tainan, Taïwan.","yadre/will_you_believe_in_me/avhzvq7v5mojxvqkjwqa.jpg",[1293,1294,1295,1296,1297,1298,1299,1300,1301,1302],"yadre/will_you_believe_in_me/sjqvglvyza3dybu9bkmd.jpg","yadre/will_you_believe_in_me/jfdynjgzycudxbw9pqwe.jpg","yadre/will_you_believe_in_me/vhzgmb2oo6up0mkkk1l0.jpg","yadre/will_you_believe_in_me/afy2nv9puh1wypkrdyue.jpg","yadre/will_you_believe_in_me/ttjxkmtqxtgmrfcqwqjb.jpg","yadre/will_you_believe_in_me/q6q7uzpyald00h1tx3c3.jpg","yadre/will_you_believe_in_me/tjpdzc1xs9weaqwfjsav.jpg","yadre/will_you_believe_in_me/bebefjhpuqc3tdrxojs6.jpg","yadre/will_you_believe_in_me/zesfjof5deusvbm1iidl.jpg","yadre/will_you_believe_in_me/nmlqlfhaocp9ed8zxxpq.jpg",[21],"Tainan, Taïwan",{"en":1306,"fr":1307,"zh":1308},"The piece originates in the salt fields of Taijiang, in Tainan, where day after day the repetitive labor of salt workers has shaped bodies, gestures, and the rhythm of local life. These actions, essential to survival, carry a ritual dimension that has become embedded in the memory of the land. This territory forms the starting point of the work.\n\nOver the course of history, beliefs have continually evolved: from the ancestral spirits of the temples to modern imaginaries of \"superheroes.\" Each of these belief systems gives rise to emblematic figures with whom individuals identify, figures that carry values which structure and nurture society.\n\nYet these collective values can sometimes come into tension with individual freedom and self-fulfillment. The body, however, continues to seek support and to aspire toward a force that exceeds reality. To whom, then, do our beliefs and values truly belong?","La pièce prend sa source dans les marais salants de Taijiang, à Tainan, où jour après jour le labeur répétitif des sauniers a façonné les corps, les gestes et le rythme de la vie locale. Ces actions, essentielles à la survie, portent une dimension rituelle qui s'est inscrite dans la mémoire du territoire. Ce territoire constitue le point de départ de l'œuvre.\n\nAu fil de l'histoire, les croyances n'ont cessé d'évoluer : des esprits ancestraux des temples aux imaginaires modernes des « super-héros ». Chacun de ces systèmes de croyances donne naissance à des figures emblématiques auxquelles les individus s'identifient, des figures qui portent des valeurs structurant et nourrissant la société.\n\nPourtant, ces valeurs collectives peuvent parfois entrer en tension avec la liberté individuelle et l'épanouissement personnel. Le corps, lui, continue de chercher un appui et d'aspirer à une force qui dépasse le réel. À qui, alors, nos croyances et nos valeurs appartiennent-elles vraiment ?","這件作品起源於臺南台江的鹽田，日復一日，鹽工們重複的勞動塑造了身體、手勢和當地生活的節奏。這些對生存至關重要的動作承載著一種儀式性的維度，已深深刻入這片土地的記憶之中。這片土地構成了作品的起點。\n\n在歷史的長河中，信仰不斷演變：從廟宇中的祖靈到現代的「超級英雄」想像。每一種信仰體系都誕生了個人所認同的標誌性形象，這些形象承載著建構和滋養社會的價值觀。\n\n然而，這些集體價值觀有時會與個人自由和自我實現產生張力。但身體仍然繼續尋求依託，渴望一種超越現實的力量。那麼，我們的信仰和價值觀究竟屬於誰？",[1310,1311,1312,1314],{"role":32,"name":732},{"role":44,"name":45},{"role":53,"name":1313},"Resident Island Dance Theater (Taïwan)",{"role":35,"name":1315},"陳韋杰、蔡智允、潘宥睿、黃玟方、王雨婕",[752],[1318],{"id":1319,"platform":183},"HNoSMyb4AUA",{"type":57,"children":1321,"toc":1322},[],{"title":8,"searchDepth":60,"depth":60,"links":1323},[],"content:projects:will_you_believe_in_me.md","projects/will_you_believe_in_me.md",{"article":1327},{"_path":216,"_dir":6,"_draft":7,"_partial":7,"_locale":8,"_empty":9,"title":217,"description":218,"author":219,"img":220,"carousel":1328,"year":16,"tags":1329,"descriptions":1330,"links":1331,"videos":1332,"soundcloud":239,"body":1334,"_type":62,"_id":244,"_source":64,"_file":245,"_extension":66},[222,223,224,225,226,227],[229],{"en":231,"fr":232,"zh":233},[235],[1333],{"id":238,"platform":208},{"type":57,"children":1335,"toc":1336},[],{"title":8,"searchDepth":60,"depth":60,"links":1337},[],[1339,1341,1343,1345,1347,1349,1351,1353,1355,1357,1359,1361,1363,1365,1367,1369,1371,1373,1375,1377,1379,1381,1383,1385,1387,1389,1391,1393,1395,1397,1399,1401,1403,1405,1407],{"_path":5,"title":10,"author":12,"img":13,"year":16,"tags":1340},[21],{"_path":68,"title":69,"author":71,"img":72,"year":76,"tags":1342},[21],{"_path":111,"title":112,"author":114,"img":115,"year":16,"tags":1344},[21],{"_path":192,"title":193,"author":193,"img":195,"year":196,"tags":1346},[198],{"_path":216,"title":217,"author":219,"img":220,"year":16,"tags":1348},[229],{"_path":247,"title":248,"author":219,"img":250,"tags":1350,"year":258},[198],{"_path":274,"title":275,"author":277,"img":278,"year":16,"tags":1352},[21],{"_path":313,"title":314,"author":219,"img":316,"year":320,"tags":1354},[198],{"_path":347,"title":348,"author":350,"img":351,"year":320,"tags":1356},[198],{"_path":384,"title":385,"author":219,"img":387,"year":391,"tags":1358},[198],{"_path":417,"title":418,"author":420,"img":421,"year":426,"tags":1360},[21],{"_path":460,"title":461,"author":463,"img":464,"year":16,"tags":1362},[466],{"_path":478,"title":479,"author":219,"img":481,"tags":1364,"year":488},[229],{"_path":504,"title":505,"author":507,"img":509,"year":258,"tags":1366},[466],{"_path":527,"title":528,"author":530,"img":531,"year":426,"tags":1368},[535],{"_path":548,"title":549,"author":551,"img":552,"tags":1370,"year":557},[21],{"_path":593,"title":594,"author":530,"img":596,"year":258,"tags":1372},[535],{"_path":620,"title":621,"author":530,"img":623,"year":626,"tags":1374},[21],{"_path":674,"title":675,"author":677,"img":678,"year":320,"tags":1376},[466],{"_path":710,"title":711,"author":713,"img":714,"tags":1378,"year":724},[21],{"_path":762,"title":763,"author":219,"img":766,"tags":1380,"year":196},[198],{"_path":792,"title":793,"author":219,"img":796,"year":258,"tags":1382},[198],{"_path":820,"title":821,"author":823,"img":824,"year":16,"tags":1384},[198],{"_path":852,"title":853,"author":855,"img":857,"year":557,"tags":1386},[466],{"_path":895,"title":896,"author":420,"img":898,"tags":1388,"year":16},[21],{"_path":936,"title":937,"author":713,"img":939,"tags":1390,"year":391},[21],{"_path":976,"title":977,"author":979,"img":980,"tags":1392,"year":258},[535],{"_path":1018,"title":1019,"author":530,"img":1021,"tags":1394,"year":488},[21],{"_path":1069,"title":1070,"author":530,"img":1072,"tags":1396,"year":16},[466],{"_path":1113,"title":1114,"author":219,"img":1116,"year":1121,"tags":1398},[198],{"_path":1143,"title":1144,"author":219,"img":1146,"year":16,"tags":1400},[229],{"_path":1168,"title":1169,"author":1171,"img":1172,"year":320,"tags":1402},[535],{"_path":1214,"title":1215,"author":114,"img":1217,"tags":1404,"year":488},[21],{"_path":1255,"title":1256,"author":1258,"img":1260,"year":1263,"tags":1406},[466],{"_path":1288,"title":1289,"author":713,"img":1291,"tags":1408,"year":724},[21],1773140894725]